Label: Spotted Peccary
Jill Haley’s tools are the English horn, Oboe, Yamaha Motif, and percussion. Deborah Martin provides instrumentation with the Yamaha Motif; Roland V-synth GT; Roland Integra; Spectrasonics Omnisphere; Taos Drums, and percussion.
What we have as an end result here is the melding of the natural sounds of the horn, Oboe, drums, and the electronic ambiance of the synths and computer-generated sounds. This creates a symphony of audio delights to match with natural surroundings that each track title is asking you to picture in your mind. With the artist, it first emerges from the inside, deep in their souls, travels to their heart, then their intellects and then talent translates it all through their instruments. I think I have validated that process through many interviews with artists from several genres. Although I must say this mindset is more prevalent and impactful when speaking of new age artists and what their intent is when recording the music and reaching out to the world inviting them to listen.
What you will receive in these many blessings of aural transmissions are nothing less than four minutes and over seven minutes with the longest track. These are not short jaunts for a listen, the tracks presented here have a higher purpose and they give you time to absorb each one to use as a tool for healing, relaxing, or whatever you wish at the moment. In the end, the result that is desired most certainly can be reached with all these wonderful sounds, colors, and textures being painted into your being.
One track that really can serve as a testament to my own feelings and appreciation is “The Stillness of Forest Bathing.” My first thought was picturing myself in a stream with cool clean water bathing then I quickly reverted to the subject matter of the forest itself. All of the flora and fauna bathe silently in the morning dew and the rising sun. Besides the event of rain, which is not silent, this is how the living unit of the forest continues to flourish and provide all kinds of resources living in the trees, below it, and in the ground. They are all interlinked in a complex system that works with a flow and force that is not unlike their human counterparts that are interdependent upon so many factors to survive. The music blends so well with Jill’s gorgeous horn and Oboe and the adding of the soundscapes from Deborah gives it the final link, the last essence of completion that each track needs from the beginning to completion. This again can be compared to an ecosystem functioning on an interlinked system that helps each segment to not only survive but grow and provide resources for other living creatures. That to me says it all and it shows you how the artist has taken all of those complexities and related to their music and beliefs and transferred it to a significant auditory contribution for us sentient beings to absorb and enjoy.
“From Fire Into Water” was a very interesting tune as well. I loved the way the sound starts emulating a didgeridoo, then as it fluctuates like transmissions from the cosmos. The track takes different roads as percussion is added and some beautifully layered synths and horn arrive that feels changing and uplifting, like leaving the ground to go explore another part of your world for a time. You will find a lot of those experiences in this music and I highly recommend a complete listen before any sampling to put any tracks on your playlist.
There is so much to enjoy and ultimately appreciate on The Silence of Grace. It is a precious work of complete art that I found a spiritual connection to that could not be denied.
Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
May 11, 2021
Track List:
01. The The Silence of Grace
02. Indian Heaven
03. Verdant Sanctuary
04. The Stillness of Forest Bathing
05. Fountains
06. Earth Stone Water Sky
07. From Fire Into Water
08. Water Flows of Clouds and Thunder