Instrumental Classical-New Age Reviews - From The Angelic Harp Realm-The Best of Christina Tourin

Release Date: January 17, 2025

Label: Independent

Website

From The Angelic Harp The Best of Christina Tourin is a collection of thirty diverse harp tracks, each with its unique sound that intrigues and fascinates. The pleasant sounds interspersed throughout the album create an optimal environment for relaxation or meditation. Despite the many tracks, the variation in the harp playing and added elements kept the experience enjoyable, sparking numerous thoughts and ideas about the music.

 

The first disc's track is “Harbor Cove,” which begins with a soft, rhythmic harp accompanied by a floating background synth. Like a fluffy cloud, the synth harmonizes with Christina's heavenly sounds. The delicate and precise harp's soothing and healing powers invite you to pause, reflect, and relax.

 

"Tranquility" befits its name. The Harp starts slowly with purpose, then Christina plays some parts quickly, and you notice the emphasis. Then the pace, tone, and rhythm change again, sounding so comforting, like a lullaby.

 

"Gentle Souls" surprised me with its harp sound resembling a piano, a similarity I hadn't noticed before despite my years of listening to harp music. This shorter track exudes warmth and is sure to resonate with your soul.

 

"In the Glow" ironically begins with a piano! Then, the Harp joins in, and they come together nicely. A layer of synth enters, and then a flute begins. All the different parts start falling into place. An acoustic Spanish-flavored guitar comes into the mix for a more worldly sound, and then the flute returns. The composition gathers momentum, creating a gorgeous soundscape that delights the senses. The Harp brushes over the other instruments like a feather for the final touches.

 

The track “Passacaglia—Handel's Healing Harp” is a flavorful mixture of sounds that showcases the harp's diverse capabilities. It sometimes sounds like an acoustic guitar, demonstrating that the harp is more than one-dimensional. This surprising diversity can bring a range of sounds to the listener, delighting and surprising them.

 

"Unité" is a magical combination of the harp and a lovely flute, creating a sound that transports you to a densely populated forest with the sun peeking through the trees. Its pleasing, melodic rhythm is sure to captivate your senses.

 

"Prelude in C" is just under three minutes; however, it makes an impression quickly with some adept playing with the synth layer for it to float over for a nice touch.

 

"Love of Creation—The Dove" starts with the bell ringing to begin your meditative journey. The Harp plays, and a background synth sounds like voices coming together, like a small choir. The harp magic creates another vision to complement its purity and simple beauty.

 

"Anam Cara" is another track that takes under three minutes. I liked the track's mixture of time frames, which always seems just right—neither too little nor too much. The sound was pleasing and rhythmic, not toe-tapping but more like a sync or flow that makes you feel like you are one with the music.

 

"Carrickfergus" is a large town in County Antrim, Northern Ireland, dating back to the 12th century. It is known for its castle and its walled town. The emerald isle gets a tribute that is as picturesque as its cliffs by the ocean and the lush green grass everywhere—a bit of history set to music.

 

"Music Is Love" is a true statement. If it's not, then what is? Its directness, purity, and simplicity soothe the soul and give us time to go inward to reflect or let the day's worries slip away—most of all, particularly with music like this, is spiritual and healing. You can hear all of that in every note.

 

"Geodepédie-Hidden Light" is a journey with wordless singing that is quite lovely and the perfect complement to the Harp. Christine plays the Harp the way a guitarist moves their fingers up and down the strings, effortlessly evoking images of serenity and joy. The complexity of her playing is fantastic on this track. A lot is going on with those fingers! It's such a lovely song.

 

"White Rose" has that synth layer again, which sounds like voices coming together and complements the harps' sound and colors. It is like a musical sermon that will engage you every time.

 

"Avondale" is like a satin sheet sliding across your skin; the flute calls you with a whisper in the wind. You follow willingly as the Harp has you hypnotized.

 

"Sky's Invitation" starts and gives you a look into the vastness of space, which is the intention to bring about that feeling. There is a whirling synth sound like cosmic winds that will carry you away on this cloud of enchanting music. Suddenly, there is a change of significance where the music takes a different direction, sounding slightly more pensive than usual, like a warning. Then you realize the awesomeness of the universe and the feelings of the unknown rush over you. The Harp reminds you this is a spiritual journey, and nothing will harm you.

 

"Clair de Lune," written by French poet Paul Verlaine in 1869. It inspired the third and most famous movement of Claude Debussy's 1890 Suite Bergamasque. Bird sounds are in the air as the Harp serenades them, and the synth layer provides a solid launching pad for any other sound to land on, as it has so well in prior tracks. It is a classic composition, given some elegance and an ethereal mysticism that only the harp can provide.

 

CD 2 begins with “Imaginings,” a light-hearted arrangement that will make you smile inside. It is a step away from the sounds you had heard. It sounds more pop-like and happy, and then a guitar is added to echo that feeling and atmosphere. The guitar is jazz-inflected with its rhythms and softness, adding to the texture and approach of the harp.

 

"Colors of the Season" is a personal invitation to whatever season of the year you may love or would like to focus on. The Harp's exquisite sound of tenderness is like a flower opening with the first rays of the new rising sun.

 

"Amethyst Of Avalon" starts with angelic, wordless vocals as the Harp's notes dance around the vocals like a graceful ballerina telling a story with physical movements alone. That picture came to my mind rather quickly.

 

"Willow" begins with a running stream and birds singing, a perfect scenario to start a meditative state. The flute makes itself known after being absent from several previous tracks. The flute has an affinity for an organic setting that fits so well with nature and its surroundings. The flute playing is exemplary. I will use this one to help with relaxation and meditation.

 

"Fingal's Cave and The Sea" is a cave on the uninhabited island of Staffa, in the Inner Hebrides of Scotland, known for its natural acoustics. Once again, the connection between nature and the sounds you will hear is significant in these compositions. As the harp moves along like a metronome setting the pace, the flute gives us another look at its versatility and pleasant sounds.

 

"Canon In D" is Pachelbel's Canon, which was initially scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for three violins and basso continuo. The Harp begins with light steps of plucking to introduce the choir of wordless vocals, creating a scenario of angels singing in heaven. The Harp's history has that connection to heaven and artwork across the centuries and in many other instances. Six minutes of perfection in music and clarity to enrich one's soul.

 

"Shadow Spirit" features some complex playing in a more compact track in under three minutes. Everything one would want to hear from the Harp is accomplished in those few minutes. The artistry is perfected on this consistent canvas of beauty.

 

"Light of Life" quickly adds the flute's spellbound abilities, and something new I had not heard yet is a cello. Cellos typically have a longing, sad tone; however, this track sounds more like a lower-toned violin, which complements the composition's melody and feather-like atmosphere.

 

"The Swan" is a beautiful and graceful creature. The Harp is the appropriate instrument to mirror that kind of natural beauty. And it does so with the grace and preciseness you have become accustomed to hearing throughout this compilation. The flute is here to add to its overall ambiance and is always a welcome addition.

 

"Reminisce"- Most people enjoy "reminiscing," consciously or subconsciously. Reminiscing is a sweet reminder of our past and what we hold dear. The Harp is all alone and nicely setting the atmosphere for that frame of mind.

 

"As Above, So Below" is a prevalent term I think most people have heard. Regarding tarot cards, for instance, it is a popular modern paraphrase of the second verse of the Emerald Tablet. This short Hermetic text first appeared in an Arabic source from the late eighth or early ninth century.

 

Clocking in at 8:40, it is the longest track of the set. The Harp is efficient in its approach, and the synth plays a significant role in shifting sounds and textures. The timing of each sound is purposeful and measured. Gorgeous layers of sound fall on you like a light and warm rain washing over, beautiful. Another track that would be an excellent meditation guide.

 

"Birch" differs significantly from all the previous tracks, and I enjoyed it. The drums sound like a tribal rhythm, and a pleasant flute accompanies its auditory brilliance. The Harp comes in, and you start to hear rain. Here again, the sounds of nature form a patchwork quilt of sound and living beauty.

 

“Adante” is Mozart’s sonata 13 andante. Many of these songs are influenced by classical music, and I like this one in a literal sense, as it is the actual composition and tribute to its creator. It sounds so regal and enchanting. The music will cast its spell upon you and take you back to another time and place.

 

"Cherubim" refers to a Cherub, known in the plural form as Cherubim, an angelic figure repeatedly mentioned in the Bible. Cherubim is described as serving the will of God and performing divine duties in the earthly realm. The heavenly sounds of this magnificent instrument called the Harp end this lovely compilation and variations of sounds with the most appropriate reference that it could. This music indeed performs the divine will of God. It is the shortest track to close the curtain at 2:24 and the most magnificent way.

 

From The Angelic Harp—The Best of Christina Tourin is an expansive career retrospective for one of the world’s most accomplished Harp experts. It contains music that combines the best elements of new age and classical while offering many choices for relaxation and meditation. 

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

January 17, 2025

Tracks

CD1:

01. Harbor Cove-4:56

02. Tranquility-7:03

03. Gentle Souls-3:29

04. In the Glow-6:21

05. Passacaglia - Handel's Healing Harp-5:01

06. Unité-3:59

07. Prelude in C-2:46

08. Love of Creation - The Dove-4:41

09. Anam Cara-2:47

10. Carrickfergus-2:39

11. Music Is Love-2:11

12. Geodepédie -  Hidden Light-4:52

13. White Rose-2:56

14. Avondale-3:01

15. Sky's Invitation-5:52

16. Clair de Lune-3:37

CD 2:

01. Imaginings-4:40

02. Colors of the Season-2:57

03. Amethyst Of Avalon-3:29

04. Willow-5:49

05. Fingal's Cave and The Sea-4:25

06. Canon In D-6:00

07. Shadow Spirit-2:46

08. Light of Life-5:30

09. The Swan-3:50

10. Reminisce-3:57

11. As Above So Below-8:40

12. Birch-4:56

13. Adante-5:55

14. Cherubim-2:24

Electronic-Ambient-New Age Review: Thierry DAVID-Six Waves

Release Date: January 17, 2025

Label: K-VOX

Website

Thierry DAVID's latest project, Six Waves, rings in 2025 with his New Age-Electronic-Ambient sounds.

 

"Causality" begins with sounds of waves, as you may have suspected, but not in the traditional sense. The music is atmospheric and relaxing, with many layers of sound and ambiance. Right away, I recall some of my favorite bands of this type, like Tangerine Dream and my favorite album, Le Parc. The whirling and swishing sounds are sublime and hypnotic as you move on to the next track.

 

"Into the Wave Axis" has more of an edge at first, which is industrial to my ears, in the sense of machines and man working. Then, it changes with various tones flitting about as the sounds echo back and forth, finding their way into your consciousness and subconsciousness. The atmosphere felt more pensive, and fear of the unknown was approaching.  Going into an axis, as it were, is more methodical and mechanical, so that is how the sounds rush over you. Spooky and ethereal, the magic of the music sounds like it could be a soundtrack in a science fiction movie, like gazing at the endless darkness of space. The longest track clocked in at 10:30 minutes.

 

"Elliptical Tales" takes another turn, as you should expect at this point. The gentle synths brush over your body as you quickly immerse into the layers of sound, merging and becoming one. The eventuality is that you, too, become one with the music. The timing of sounds starts to feel like an internal clock slowing down or speeding up, dependent on your frame of mind or focus you decide to have once it starts. Some pictures pass through your mind, and the sounds and textures encourage that. For those of you who are cerebral, this can engage you from start to finish. For those looking to empty their minds and relax, that is also an option for this track and acts as a twofold exercise for individuals looking for both elements to work together.

 

"Ultrasonic Vibes" is the second longest track at 10:17. The beginning is intriguing, and your interest holds steady as the flow of change continues. Reverberating sounds travel back and forth, backed by a steady beat, and the layering of many sounds converges (as they always do) as the track builds. Halfway through, there is a brief millisecond pause, then a complete change of direction, and then it reverts to the core sounds. Always full of surprises, Thierry uses the tools to give a listener an expectancy and a wonder about what may be next. Anticipating is futile; you must wait and listen to what happens next. A few prolific change elements insert themselves without losing sight of the center of concentration, including a repetitive sound for focus; however, you can hear everything else without losing your mindset.

 

"Submarine Whispers" captured my imagination before the start of the music because of the title alone. The track begins with a crackling radio signal like a submarine trying to reach its home base in the ocean's depths. It also reminded me of what an older, uncleaned vinyl LP sounds like when you pick it out of the dollar bin. I used to call it the "frying eggs" sound. There is a bass sound that sounds like a heartbeat, and the crackling sound is maintained. And a bell-like ringing that a synth produces so well. It feels ominous in my frame of reference of the underwater craft. The whispers become more of a warning of something imminent. The strange thing about this track is that even though I felt like I did, I believed there could be moments of relaxation and reflection.

 

Now, we have reached the "The Sixth Wave." The final part of the waves completes this recording. It is another substantial track at 9:09 minutes. You will hear more of a mellowed-out sound with an echoing guitar sound; sometimes it's hard to tell these days with all the computer-generated facsimiles; you can decide as the synth percolates like morning coffee on the stove (like many years ago!). The sounds again feel like the tic-tock of a clock turned internally to get in rhythm with your center self and the music. 

 

Those two things must happen before using this music as a tool other than background music, which is your choice as the listener. The colors and tones are relaxing, and with the addition of a few sounds you have not heard prior, the music takes on another element or flavor that I found very appealing.

 

Six Waves is a beautiful group of tracks that would sound amazing in the vinyl format, surround sound, or 7.1 Dolby you hear at the movie theater. I did not listen to this with any of those enhancements and was mesmerized from start to finish. For this listener, that is mission accomplished.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

January 17, 2024

Tracks:

1. Causality 

2. Into the Wave Axis

3. Elliptical Tales

4. Ultrasonic Vibes

5. Submarine Whispers

6. The Sixth Wave

New Age Instrumental Reviews: Monica Logani-The Depths

Release Date: January 10, 2025

Label: Independent

Website

Monica Logani is about to start the new year with her latest release, The Depths. This album, which showcases a captivating blend of classical and modern elements, is sure to pique the interest of New Age music enthusiasts. Our last coverage of this artist was in 2016's Secret Garden.

 

"Dreams of Zagyva" opens the recording with a lovely melody and an atmosphere that, for some reason, brings me thoughts of Italy. It has that old European romantic sound as you take the boat down the waterways. It is very picturesque. Zagyva is a river in Hungary (which I had no idea), so I had the right idea.

 

"Stars" is intended to get a listener to look up to the skies at night to take in all the wonders of the universe. Perhaps, as usual, it is up to the listener. The divine piano piece helps to point you in the right direction with calm and the rhythm of your heart.

 

The cover art portrays "The Depths" to give you more thought to the album title. The sun shines through the water at the surface as the beautiful dancer falls gently into Mother Nature's arms. The piano is taking its time as the person in the picture is frozen in time and now perhaps in your thoughts. Is it water ballet in all its beauty, or is she drowning? What is the piano saying to you?

 

The track "Silver Lining" poignantly reflects life's challenges and urges us to find the positive in every situation. The piano, accompanied by the haunting sound of a violin, evokes a range of emotions, compelling us to reconsider our perspectives.

 

As I have appreciated in previous tracks, "Midnight Express" provides rhythm and connectivity through the piano keys, which is so important. The continuous flow of this music is consistently strong and emotive. This one sounded more classical-based than the others. The addition of the violin and electric guitar adds more elements and layers to the story, making it more captivating.

 

"Intermezzo" in music, in the most general sense, is a composition that fits between other musical or dramatic entities, such as acts of a play or movements of a more extensive musical work. (Wikipedia) I had to look up this word, which I had never encountered before. Once you start listening, you realize how nicely the composition fits that description. Again, the piano keys seem to effortlessly float along Monica's fingers as the violin has a longing and sadness that answers the notes emanating from the keys.

 

"Wonder" is an impactful word that comes to mind significantly, and often, as I listen to the music, it envelopes me in its warm tones and consciousness. It can always tell a story and capture my imagination. It does so in under 4 minutes, as it begins, then pauses long enough to make you stop to see if the song ends, but you know that much time has yet to pass. However, the change is significant enough to sound like another track, immediately allowing me to wonder again. It is another nice combination of the piano and background ambiance.

 

"Wooden Horses" is soft and invites you into the world of a child (?). That was my first thought. All though the wooden horse I had, which they called a hobby horse, gave me much pain as a 2-year-old. I do not remember the incident; however, I am told I fell off, and there was a lot of blood, and it pushed my two front teeth up into my gums. My teeth were supposed to come out black, which they did not, just later in life, like around 5th grade. It's a sad story for such a beautiful composition; however, it brought that thought back to me after decades of never thinking about it. The power of music at work!

 

"Solitude" is the shortest track at 1:29. Unfortunately, it can be that fleeting for some people. It's simple and just the piano's expression of that singularity that everyone occasionally needs to relieve stress or be with their thoughts.

 

"Diamond Gaze" brings a shine and light. The crystal polished to perfection adorned on a gold band brings many thoughts. In another instance, it can be a gaze from another human that is so sparkling and pure that you cannot deny its brilliance. The piano is gorgeous on this track; it is purposeful and relaxing like it's looking right at you.

 

"Offering" (longest track at 5:08) unusually starts with a slow, thoughtful guitar with a Middle Eastern flair. It takes you down a new path, or offering, as it were, to a new form of consciousness as the piano joins in. The track felt more like you were waiting to see what would happen next, like in a movie scene that puts you on the edge of your seat (in your mind). Such a change of direction surprised me based on the previous track's mood and atmosphere. I did appreciate the diversity and difference. I suddenly feel a total change in the story as I look at the titles of the last two tracks. Where are we going now?

 

"Resurrection" begins more like the sounds you were getting used to before the previous track's impactful change. The mood sounds uplifting and positive. I could picture a Phoenix rising from the ashes, flapping its beautifully colorful feathers, and flying away to a new life. Some acoustic guitar comes in to accompany the rhythmic piano lines. This one had a jazz feel, with Monica taking her classical core to another level of purpose.

 

"Eternal" means forever, undying; where life and your consciousness go once, they leave your body—the age-old question. We will not find out until that time comes; however, it holds so much promise. The piano tells me so, with the keys being so enlightening and heavenly, that I cannot help but believe it's true. Time is irrelevant in eternity, and music is eternal as well. Once created, it does not disappear; it remains with us until the end. I enjoyed how the electric guitar came in towards the end, sounding like a violin. The track was a great way to close out the album.

 

Monica Logani should be proud of The Depths. I think she went to the "depths" of her soul to pull this music out, and what you will hear are twelve tracks of instrumental beauty and emotions looking through different windows of the soul (hers and yours) on every track. As always, the listeners have the freedom to let it be what it needs to be, and that is the beauty of music without words.

 

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

January 10, 2025

Tracks:

01.Dreams of Zagyva [3:06]

02.Stars [3:27]

03.The Depths [3:30]

04.Silver Lining [3:15]

05.Midnight Express [4:27]

06.Misty [4:11]

07.Intermezzo [1:32]

08.Wonder [3:36]

09.Wooden Horses [2:51]

10.Solitude [1:29]

11.Diamond Gaze [2:59]

12.Offering [5:08]

13.Resurrection [4:23]

14.Eternal [4:57] 

 

New Age-World Contemporary Review: Murray Grant-first… listen

Release Date: January 2, 2025

Label: Rooftop Recordings

Website

Murray Grant, a Canadian Contemporary Instrumental/New Age-World artist, has self-produced an album titled first…  listen. This album is a collection of his own instrumental compositions that uniquely combine acoustic ethnic instruments from around the world with contemporary Western instruments. The title first… listen suggests that this album is meant to be experienced with fresh ears, inviting the listener to embark on a new musical journey.

“temple” begins with an ambient backdrop as the flute, bass, drums, and erhu (a Chinese instrument that sounds like a violin in a lower key) come in. You have thoughts initially that it was going to be an ethereal, spacey track; however, all those elements enter the mix and make it a new-age world cornucopia of sounds and colors for an intriguing opening track. The bass is quite prominent around three-quarters through, the flute takes the lead, and the keys sprinkle more taste into the whole platter of gorgeous sounds. What an energetic way to start things off, superb music!

“water and stone” starts calmly with a rhythmic piano and shakers as the flute arrives again sounding mysterious and echoing like a bird flying away to a distant mountain peak. An erhu begins to mesmerize, and that thumping bass serves as a tribal drum of sorts calling all the other instruments to the meeting. The keys form a lovely layer of sound the draws you in further as it fades out.

“tempus fugit” is a song that I was just listening to a man play on electric guitar yesterday and it was phenomenal. This is entirely different with an amalgam of instruments joining at once for an irresistible rhythm formed by the drums and bass as the flute and keys flow like a clear running stream into one another. The track, like a story being told through the music, reflects the fleeting nature of time and the beauty found in each passing moment. The guitar, with its steady progression, repeats and lays the groundwork for all the other instruments, creating a sense of continuity and progression.

“in that moment” immediately sounds Middle Eastern and or Asian with the instruments being used. The percussion is hypnotic as the erhu provides more focus to center yourself on the sounds emanating from the speakers. It makes you feel like you are in an ancient land far away from home as you witness the tribal elders in a circle around a fire chanting. That is the picture created in my mind’s eye with this powerful combination of instruments and how they are being played. Be in the moment, live in the moment, and just be. The flute and percussion lead you out the door to another one as it fades away…

“darkness” as a title can fit many scenarios, physically, mentally, or simply the opposite of light. It begins as you may suspect, very thoughtfully, slower, although the flute is so beautiful, maybe the darkness is not such negative connotation after all. It is a place of rest and thoughts and a wind down from the day of light. The drums are well placed and strong as the flute rises to the top with the violin. It ends with an echoing flute and the sound of a heartbeat (percussion).

“awakening” comes after the “darkness” subsides and the sun shines on the new day. There is a definite progression of the tracks related to the music and track titles as I am sure you have noticed early on, and this one that makes sense. The piano and flute combine their strengths as the erhu and piano come together as well to form a mystical and magical partnership as the bass holds down the bottom line nicely as it has the entire recording. A very picturesque soundscape is formed at its peak giving the listener exciting colors and tones to interact with. 

“echoes” starts slowly and changes pace rapidly with the drums and bass driving it along as the keys invite the flute in then the drum cuts away on a spotlight solo sounding amazing. The piano carries the rhythm to stay with the bottom end as things move along nicely with some sprinkling of keyboard and synth sounds for extra magic injected into the composition. Halfway through an echoing sound is made as the track continues, it builds into a lovely combination of instrumentation and layers and finishing at 7:28 minutes, it is the longest and most complex composition on the recording. It could easily be a wonderful soundtrack to a movie scene or other media. It is very progressive but not too long, just right actually and the most prolific and beautiful song on the album.

“dania” starts with percussion and shakers for a nice rhythm as the flute comes in with the piano to begin a nice path to visualization and or meditation. You will find a good place to be centered and whole as the music fills you up and the day melts away as you reach complete relaxation and a comfort level attainable only with this music. The track is one of the easier going presentations with the excitement minimized and the focus on the tones and colors more for a spiritual journey. The flute leads the way out with a gorgeous segment.

“shades of grey” starts with a floating synth sound as the flute comes in to say hello then the piano enters carefully stepping into the walk into musical paradise. And there is that heartbeat of a bass to keep the musical clock ticking in sync and the mysterious and beautiful erhu adds to the mix. Grey may indicate parts of something in the middle or neither black or white, so you really cannot pinpoint something or give a definitive answer. However, in this case the music answers the question clearly with its pure beauty and earthy tones that can excite and relax all at the same time. Maybe that is why there is a shade of grey?

“hellos and goodbyes” has a title that is all about human emotions, the meeting and the leaving of a person, place, or thing perhaps. It is about where you are at with the frame of reference while listening. What are you thinking about as the music draws you into its storyline? The bass, piano, and percussion are magnetic as usual and then the erhu creates an esoteric element that creates wonders and thoughts and pictures of many things. This music is magnificent, are we saying hello and goodbye in every track as it merges into your soul and makes an impact? It feels that way to me and it happened near the beginning of this recording, but this track just continued to reaffirm those feelings.

“an ending (is not the end)” it is another opportunity to close one door and open another. The music starts significantly differently this time then changes with the addition of the piano, then as we have become accustomed, the flute is introduced, with a layer of synth and a strong bass line leading everything along with the drums to a fruition of sound and color. It is like starting with a blank canvas and painting a scene so quickly and precisely you must listen closely, or you will miss the meaning. The erhu feels like a like stroll into a Chinese garden or the place of retreat where the master imparts knowledge on to his students. Its sheer beauty and magnificence are awe inspiring and a gives your spirit a supercharged feeling of love and energy.

Murray Grant's first…  listen is a musical and spiritual message to the world. The new age and world elements that make up this music with old and new instruments and today’s technology form a masterful recording that is unforgettable for this listener. It held meaning and brought so much joy as I listened. Highly recommended for those that enjoy world and new age music combined.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

January 1, 2025

Tracks:

01. temple

02. water and stone

03. tempus fugit

04. in that moment

05. darkness

06. awakening

07. echoes

08. dania

09. shades of grey

10. hellos and goodbyes

11. an ending (is not the end)

New Age-Holiday Review: Ed Bazel-The Christmas Sessions: Season's Greetings From Studio 2

Release Date: November 15, 2024

Label: New Thought Records

Website

Ed Bazel has been one of the busier recording artists this year. It seems like I get one review done, and a few months later, there is another album in front of me to enjoy. Of course, time is transient differently for everyone. In my case, as I get older, it seems to move so much faster.

Now that another Holiday is upon us, it's time for my first seasonal review. I anticipate an illuminating experience with Ed at the helm, doing things his own way. The tracks are given a diverse range of interpretations, each with its unique sound, ensuring they pay tribute to their legendary status while offering a fresh perspective.

Ed has some featured artists that add their talents to the recording to make it all complete, which includes:

Flute: John McMurtery

Cello: Vivian Barton Dozor

Violin: Nina Vieru

Mallet Percussion: Louis Anthony deLise (Tracks 1, 5, 11) and Alex Carter (Track 6)

"It Came Upon A Midnight Clear" starts with a familiar melody. Immediate recognition rings in your consciousness and spirit. As the piano keys dance across his fingers effortlessly, you feel the profound emotional depth that the music brings, resonating with the true spirit of the Holiday. A cello accompanies him, adding a layer of depth to the interpretation.

"Christmas Time is Here" brings the Charlie Brown cartoon to my mind. This song, along with others like "It Came Upon A Midnight Clear" and "O Little Town of Bethlehem", forms a cohesive narrative of the holiday season. That instantaneous recognition brightens your spirit and makes your heart smile. It's short and sweet, quite lovely, and soothing.

"O Little Town of Bethlehem" starts, and the variations of his keyboard accuracy bend and shape the notes most beautifully. The tradition of the song's original composition and melody is held intact as Ed goes through the paces, and the cello enters again towards the end to add some emotion.

"Silent Night" is perhaps one of the most recognized and revered compositions in the world. With the piano keys expressing their own emotional style, it takes on a flavor all its own without diminishing the original intent of the treasured track. This time, the violin joins the keys and answers the melody to perfection, like an echo for Ed's playing, so touching and sweet.

"O Come All Ye Faithful" continues the flow of classic Holiday songs. It fills your soul with love and joy—it's just that simple. I like the way the track builds with the piano's interplay with the flute. I noticed a stronger bass sound with the keys, which resonated so well. The addition of the gentle flute provides some balance, along with the snippets of cello.

"The Christmas Song" is another one that instantly brings the words to you. This is what everyone who hears this will likely enjoy the most. The perfect sound of the keys echoing a timeless classic is the most simplistic, and with a little variation, you get Ed's stamp on it.

"What Child Is This" begins slowly and purposefully, with a lovely violin following the path of the keys, with the joy of a miracle and hints of sadness as the cello enters. By this time, I am getting more reflective and feeling the emotion that this holiday brings me every year. It is missing loved ones who are with the heavens. It was a gorgeous rendition.

"Away In A Manger" starts, and you can't help but start singing in your mind. I think that kind of prompting is the best way an instrumental version of the song can relate to a listener. The track is picturesque and full of love that is felt in every note.

"Christmas Time Is Coming" has a nice melody and rhythm. The cello is a gentle and effective complement to the beautiful orchestration of the piano. Once again, it's a great way to relax and reflect on all you should be grateful for.

"God Rest Ye Merry Gentlemen" has always been one of my favorites. I remember singing it at church with my family as a young boy. The memories of those times flood back as I listen to Ed's rendition. I especially like the line "tidings of comfort and joy," something we all need at times and sometimes more so this time of year. It is superb and simple.

"We Three Kings" closes out this beautiful collection of songs with a memory from so long ago yet so meaningful and ever present in our minds when listening, regardless of what part of the planet you may reside in. These three men began gift-giving, which became a yearly tradition that will never end. The piano, cello, and violin combine their unique sounds to create the star of Bethlehem in your mind's eye just one more time.

Listening on this Thanksgiving Eve was perfect timing for me. It started those feelings of both happiness and sadness, but gratitude is paramount for being here to listen and then be with some of those I love tomorrow and the rest of the season.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

November 27, 2024

Tracks:

01. It Came Upon A Midnight Clear (3:22)

02. Christmas Time is Here (2:13)

03. O Little Town of Bethlehem (2:36)

04. Silent Night (3:07)

05. O Come All Ye Faithful (2:32)

06. The Christmas Song (2:20)

07. What Child Is This (3:53)

08. Away In A Manger (2:45)

09. Christmas Time Is Coming (2:38)

10. God Rest Ye Merry Gentlemen (2:09)

11. We Three Kings (4:32)

Instrumental New Age Review: Peter Sterling-Heaven Sent

Release Date: November 29, 2024

Label: Harp Magic

Website

Peter Sterling has consistently released music for years, and I have been the fortunate recipient of many of his works. I have enjoyed his heavenly sounds five times over the years, and Heaven Sent will be his 17th proper studio release.

 

The message of this recording is evident from the first look at the cover art. This music is spiritual, healing, and filled with positive energy and light. As I have often said, the harp is the perfect instrument for this message if you seek something to fill your spirit and soul with healing tones, sounds, colors, and frequencies.

 

"Golden Leaves of Fall" begins the journey with Peter's harp and soft, wordless vocal in the background that beckons to you. Remember, there are various violin variations, Tibetan bowls, Cello, piano, Irish Flute, Ocarina, Irish Penny Whistle, Ilium pipes, Native Flute, keyboards, percussion, and Free Note Chimes.  You won't hear all of that in the first track; however, it is a beautiful start, and you get the feeling looking at all the credits and instrumentation that this is new-age world music. It's so intricate that you must listen closely to pick out all the tools to create each track. That is a good thing and something I look forward to.

 

"The River Runs Deep" is the longest stretch of instrumentation at 7:31. As with all the tracks Peter records, they start beautifully with that fantastic harp. The addition of other instruments is always a bonus. This track is exceptional with the way it comes together piece by piece and fits so perfectly as it belongs as part of this transitional composition. All music is transitory somehow; however, in this instance, it is prolific and absolute with pureness and beauty. An acoustic guitar adds to the mix and is played delicately to fit nicely with the ambiance of the harp. The river of music runs deep indeed, and it will enlighten your spirit.

 

"Timeless Heart "is a great title. The meaning is accurate. A pure and faithful heart stays that way. There is no change of timeframe involved. Like this music attached to the track title, the sounds are perfected to hold time in a place; it neither goes backward nor forward and keeps your attention in the moment. Adding the pennywhistle gives it that "off in the distance" feeling, like something that is happening either just changed or going through a change, like the music you hear. It makes you think or become more reflective and aware of the place you are in; you are now mindful.

 

"Silver Lining" can mean many things in one's life or situation. The old saying that every cloud has a silver lining has a positive connotation that can be very helpful in assessing the whole picture of what is going on at the time. The music immediately brings you to that string of thoughts; it guides you there as you listen and focuses on its beauty and what it can be. Like a flower opening in the morning responding to the first warm rays of the sun, its attraction is the delicate petals and a miracle of nature. It is very much like the incredible music you are hearing right now.

 

"Forever My Love" is a tune that resonates with familiarity. It intertwines romanticism with spirituality, for true love is a spiritual bond. With the harp and violin merging to convey sincerity and hints of sadness weaving in, the music evokes a profound sense of eternity. It's a poignant reminder of the seemingly unattainable nature of forever, yet it also kindles a deep connection with the listener, stirring up thoughts and questions.

 

"The Rain Will Fall" is inevitable in the world of plants and Mother Earth and, in a literal sense, our lives. It is time for relaxation and thought. The music's gentle touch pulls you in, suggesting this, giving you the reality and the miracle of nature at work by providing life from rainfall. The essence of all life is water, and to accept that is to become one with the earth that gives us so much life. And in human life and what can happen, a little rain must fall before the sun shines again—an interchange of times encouraged by the title and the music.

 

"Together Forever" returns you to that theme of eternity and how real it can or cannot be. If you believe, it is your truth, and forever is precisely that, whether in the physical or spiritual worlds of existence. The music continues to enchant and give you the reason for hope and belief that forever can exist, and the harp is a tool used to convince you it is possible. Keep playing, Peter; I am starting to believe.

 

"After Glow" happens when a particular person touches your heart and soul, or you are in a surreal and unbelievable experience. After all the previous tracks and titles, much thought and meditation has been given to the word's meanings. The harp can create a certain glow and vibrance yet delicate beauty to bring a picture into your mind's eye, the lens to the soul. The track is very deliberate in its delivery of this message. The wordless vocals give it a heavenly, angelic touch.

 

"Days Of Old" is the second most extended piece at 6:44. The harp begins and sounds like the opening of a large satin curtain as you hear the harmonica make its presence known. You immediately realize that this track will be entirely different than all the others. The track title is indicative of the setting when one reaches back into another place in time in their lives that is held close and dear to their heart. The laughter of children and birds singing is like heaven to parents. It makes life complete. The circle of life is the music by design, and it feels honest and sad simultaneously. Yes, it worked for me.

 

"The Sun Always Shines" on TV—oh wait, another band and another song! I could not help it; it was the first thing that came to mind! As Peter winds things down to bring you back to earth, the flute is as superb as the harp. The music continues and ends where it all started. It is all so exquisitely arranged and played, and this last track confirms the consistency you have witnessed in all the prior tracks. It was a perfect end to a perfect performance by everyone who contributed.

 

Heaven Sent was created for those who need its grace and gentle approach to enrich our lives by listening. And it does.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

November 21, 2024

Tracks:

01. Golden Leaves of Fall 5:14

02. The River Runs Deep 7:31

03. Timeless Heart 4:47

04. Silver Lining 4:01

05. Forever My Love 5:10

06. The Rain Will Fall 5:04

07. Together Forever 4:48

08. After Glow 5:17

09. Days Of Old 6:44

10. The Sun Always Shines 5:30