Showing posts with label Jazz. Show all posts
Showing posts with label Jazz. Show all posts

Instrumental Contemporary-Jazz-New Age-Classical Review: Javier Marquez-Momentum

Release Date: March 8, 2024

Label: Independent

Website

Before listening to Javier Marquez's third album, Momentum, I read some information he provided: Momentum could be the perfect showcase of Márquez's universe. Its soundscapes are an excellent place to surrender. And there, Javier surrenders to his feelings and daydreams, often using various wind instruments.

I found the cover art compelling, and it reminded me of the Mott The Hoople album The Hoople. It's a different genre, but there are some similarities and good memories for this music fan.

 

Javier plays the Armenian Duduk, bansuri, oboe, soprano sax, piano, guitars, pan drum, marimba, EWI, synthesizers, and sequencer.

 

"Resilience" starts the recording with atmospheric music and superb vocals from Julie Elven. The Armenian Duduk provides some delicate acoustic picking; the dreamy vocals will have you floating away in no time. Give yourself up to the music, as the artist offers all the sounds to allow you to open that window of opportunity to let go.

 

"Duermevela" begins with a soft and light piano, and a Bansuri (Bamboo flute) induces atmospheric sounds of tones and colors. As the track moves on for over two minutes, it takes on a jazz-world feel, most definitely with the fretless bass lines.

 

"Quietude" fits the title perfectly, with its opening Armenian Duduk taking the lead as the piano stays in the background and then goes to the front with the background of strings to accompany it for an orchestral direction. The track sounds sad around the three-minute mark, and you can feel that emotion in the music's quiet. Relaxing and contemplative, we move on to something different to follow.

 

The title track, "Momentum," begins with operatic vocals. The Armenian Duduk is the lead here again, and Clara Sorace lends her angelic voice to give the track a decidedly heavenly touch of class. At 3:25, it is one of the shortest tracks on the album but leaves an indelible mark on your consciousness. Interestingly, this approach was taken with a strong title for the track.

 

"Balada Das Ondas," which translates to "Ballad of the Waves," is another short-lived track and the shortest at 2:33. The piano and guitar are lovely, with a soft touch that gently and convincingly brings you into the music. Because of the song's length, it must move you instantly, which it did to me. It melts the stress away from your day.

 

"Pulsar" starts very differently than all the other tracks. It is upbeat and free from any expectations from hearing all the previous tracks. In other words, it is as eclectic as the entire album has been; however, the difference between this is that the energy and level of instrumentation go in an entirely different direction. It is hard to define any categorization. However, jazz has influenced it more than any other track, and it is the only track featuring the soprano sax.

 

"When We Leaving Home," as it indicates, would have some strong feelings attached depending on the circumstances of your leaving. Whether for an hour, a day, or permanently, each feeling would have a range of intensity. The Duduk and nylon guitar playing is very laid-back and reflective, and there is a hint of sadness as well. A nice flow and softness invite a listener into the music without a care.

 

“Ephémère,” translated, is ephemeral, fleeting, faddish, and short-lived. It starts with an exciting sound, the pan drum (Javier), with its ringing echoing tones similar to steel drums but much higher and more resonant. It is a stimulating track that picks up in pace with varying degrees of sounds and tones. It almost sounds like two instruments playing at once. It was the most intriguing track on the recording because it was so different, an outlier, compared to all the previous compositions.

 

"Under no Flag" could have many meanings depending on your identity and the possibilities. I will look at it as the artist is under his influence, and no country or flag controls what he creates for his audience to listen to. It ends up being one of the more beautifully constructed tracks with three main instruments converging: the piano, oboe, and acoustic guitar. It was the quiet storm of jazz for my ears and a superb way to close the curtain on this mixture of sounds and textures to engage your consciousness.

 

Momentum is a strong release that showcases diversity and musicianship. The mixture of contemporary, classical, new age, and jazz is a musical patchwork quilt that any discerning music lover can understand and appreciate.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

September 3, 2024


Tracks:

01. Resilience

02. Duermevela

03. Quietude

04. Momentum

05. Balada Das Ondas

06. Pulsar

07. When We Leaving Home

08. Ephémère

09. Under no Flag


Instrumental Jazz-New Age-Ambient Review: UMA-Wishing Well

Release Date: July 16, 2021

Label:  ‎ myndstream

Website: https://www.alekseisaks.com/uma/ 

http://robertjyrjendal.com

UMA are the project of two Estonian musician’s guitarist Robert Jürjendal and trumpet/corno da caccia player Aleksei Saks.

The duo came together at the beginning of 2007. The name UMA comes from the South Estonian Seto dialect and it means ‘own.’

The cover of Wishing Well, their latest release, gives a potential listener a soft and pleasing image before the music starts. Imagery is everything, particularly with instrumental music. Even though most listeners will see their own pictures in their mind’s eye, the soft blue color and singularity of the tree on a hill and its shadow on the ground brings you instant solace. The gentle guitar and horn are all these two gentlemen need to create a delectable array of sounds.

Now the idea from this point is to offer a selection of tracks to take that one image to the next step in the process. This is exactly what Robert and Aleksei do with the offering of 10 beautifully done tracks. The music has many elements that intersect including jazz, smooth jazz, new age, ambient, and all of them blended into each individual track. The combination is very effective and quite pleasant.

As you move from track to track the horn and guitar lead the way as well as the unique corno da caccia which is a piccolo horn. If you have any interest or particularly enjoy any of the genres that are part of this music, you will most definitely appreciate what you hear on Wishing Well.

This is duo is very skilled and precise in their presentation and the flow, overall sound, and engineering values of this recording are superb. Sometimes when you put on certain music, it is exactly what you need to hear. In this case that applied 100% for me on this listen. In fact, I would listen any time of day or evening because this is the kind of music I can appreciate. It is warm, inviting, and most of all, the enjoyment you can obtain from beginning to end is notable.

You can have your own private Wishing Well with a click or the push of a button. As all the wonders of modern technology merge with exceptional musicians, the chances of creating something special are always possible. In this case, it became a reality and I am glad I had the opportunity to discover and enjoy all the amazing music on this recording.


Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder
July 19, 2021

Tracks:
01. Wishing Well
02. Old Diaries
03. Pilgrim’s Path
04. Lightness of the Soul 3
05. Petite Ouverture à Danser
06. Lost A Dream
07. Longing
08. My Days
09. Deep Sea
10. Beyond Skylin


Acoustic Instrumental Review:New Latitude-Wood, Steel, and Grace

Release Date: January 20, 2020
Label: New Latitude Music


Dave Erickson (acoustic guitar), Jim Carr (acoustic guitar), Deon Kuhl (drums & percussion) and Rick Brough (upright bass) are New Latitude. The former bass player Bob Strickland played on 5 tracks. Their latest release is Wood, Steel, and Grace.

This would serve as my introduction and a new discovery, so that starts things off with a lot of anticipation. After reading some history of the band I could tell it was going to be something I would enjoy.

The cover of the album is wood with various colorings, just like the music you will hear on this recording It is acoustic instrumental with a melting pot of styles and genres offered on the nine tracks. New Age, Jazz, and Latin flavored tracks flow effortlessly through their instruments.

I have a kinship for Latin music and “Días Calientes” was a quick favorite. There is that irresistible and colorful rhythm that runs through the song along with some very fast acoustic guitar playing. If they could have picked one spotlight track for the album this would be it. The musical gusto of each member of the band is quite impressive and when all of their talents come together it is like a musical carnival of sounds. 

“Open Road” is a jazz track, the embodiment of the “quiet storm” label minus the R&B reference. 
It is a distinct sub-genre of that particular kind of music. The transition from the previous track is perfectly executed and a reminder that the genres are close cousins in the diverse genre that jazz can give a listener.

“A Serious Man” is a fast-moving track featuring uplifting nimble-fingered guitar interplay. It is a wonderful listen that also spotlights the unmistakable standup bass with well-placed percussion. The choice for bass is excellent for this type of acoustic instrumental presentation, it complements the guitar playing and is the driving wheel of each track.

“Old Friends” was more of New Age style, it reminded me of some of the Windham Hill releases that came out when Will Ackerman was signing on artists to his label and getting this kind of music a world stage. Now the stage is infinite because of the internet and streaming, which is a good thing for any artist looking for exposure. The title of the track was perfect, it was like seeing an “Old Friend.”

The curtain closer “Prismatic Sky,” which also had a New Age sound and atmosphere and consequently was an easy choice to add to my New Age Music Reviews Spotify Playlist. It was a great way to end the album.

The range of musical style and expertise on display throughout the nine tracks is superb and I would most definitely appreciate another helping of this at any time. This is music for any time of day or night, or if you happen to be looking for something that will put a smile on your face and in your heart, then I would recommend listening to Wood, Steel, and Grace.

Keith “MuzikMan” Hannaleck
February 1, 2020

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
1. Alpine Bliss (3:10)
2. Cruising Altitude (3:42)
3. Días Calientes (4:31)
4. Open Road (3:40)
5. Alpenglow (3:37)
6. A Serious Man (3:58)
7. Windmills (3:19)
8. Old Friends (3:12)
9. Prismatic Sky (3:03)
 

Instrumental New Age /Ambient/Jazz Review: Jeff Oster-Reach

Release Date: October 5, 2018
Label: Retso Records
Three years ago, I covered Jeff Oster’s Next album. If you do a search on my New Age Music Reviews site it will show several other artist reviews as well. The reason is that Jeff is in demand to play on other people’s albums. There is a very good reason for this. He is one of the few Flugelhorn and Trumpet players in the genre that plays a chill ambient type of music that new age recording artists and listeners alike want to hear. He also is able to interject jazz and funk elements into his recordings. Besides that, it is a great partnership. Jeff is masterful with his instruments and with the new album out now titled Reach, he is in great form and so are the folks that accompanied him on the album.

Reach has nine tracks in total and it is a great mixture of sound and textures that will do many things to you while listening including relaxing, feeling energized and wanting to move, becoming contemplative, just about everything one person can think of or do during the listen of one album really. It invites you in at the outset and you never want to leave that “musical comfy chair.”

I love new age music when it combines jazz and world rudiments. “Le Caveau” is a great example of those sounds and atmospheres getting in sync. The music and sound clarity are amazing. The following track “Five Great Mountains” is just hypnotic. Jeff’s horn is superlative and the bass is incredible, in fact, I thought it might be Tony Levin, who seems to show up on everyone’s albums. It is, in fact, Benjamin J. Shepherd, who plays a huge role in the track, and the entire sound of the album actually. His rhythm and musical leadership in the track are exemplary. That kind of preciseness allows the star of the show to shine even brighter, so hats off to Benjamin for doing such a great job with his instrument. Everyone involved in this project is outstanding so I felt the need to list the credits below.

Some of the other instruments on this recording, besides the horns of course, that give it an overall world-jazz flavor, are the Erhu and Indian Flutes. Then there are very calming spiritual tracks like “The Lotus Within.” In my estimation, the reference would be the Lotus flower, a symbolically important aquatic Asian plant also known as the Indian or sacred lotus.  The emphasis is on sacred for this magnificent composition. 

To keep things fresh and on your “listening toes,” Jeff follows those two critical tracks with an upbeat jazz and funk-filled number titled “Troppo Y Boffo.” The Latin percussion and bass pulsate and drive the number while Jeff just glides through with his horn putting the veritable icing on the cake. It is Latin bliss, wonderful and colorful as it gets. This track could find a home on any good (worthy) jazz album.

Jeff Oster puts it all together on Reach. Every track is solid and consistent throughout. The combination of instruments, musical style and artistry of every contributing musician make this album one of the best in the genre this year. This comes as no surprise to me as everything I have ever heard from Jeff has been superlative from his own recordings to being a guest on other recordings. He is in a groove that keeps him at the forefront of the music industry and I can see that influence growing more all the time. In conclusion, I think that he will Reach a much larger audience with each successive release


Artists:
Jeff Oster – Flugelhorn, Trumpet
Ruslan Sirota – Piano, Keyboards, Guitar, Vocals
Robyn Ghosh – Guitar
Benjamin J. Shepherd – Bass
Tamir Barzilay – Drums
Pete Korpela – Percussion
Jenni Asher – Erhu (Track 4)
Ravichandra Kulur – Indian Flutes (Track 9)
Drew Allsbrook – Vocals (Track 4)

Keith “MuzikMan” Hannaleck
October 14, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
1. Onward
2. Far Rockaway
3. Le Caveau
4. Five Great Mountains
5. The Lotus Within
6. Troppo Y Boffo
7. How Familiar
8. Velvet and Smoke
9. The Pink City

 

Instrumental New Age/World/Jazz Reviews: Erik Scott-A Trick of the Wind

Release Date: August 10, 2018
Label: Erik Scott Music

Erik Scott is an incredibly talented bass player. He is true to his art form in so many ways. He continues with his string of solo releases with A Trick of the Wind

Previously I had the distinct pleasure of covering Spirits (2014) and In The Company of Clouds (2016). On A Trick of the Wind I heard a similar mix of new age, world and jazz, which I absolutely love. The mixture is superb and Erik’s bass playing is outstanding as usual. 

To put it into the most logical terms, I think Erik ranks up there with Michael Manring in the new age genre and on a larger scale, with Tony Levin. He has been around as long as those two marvelous players. That about says it all from my perspective.

The nine tracks encompassing this recording is indeed a prolific gathering of music. There is a constant flow of change and unpredictability, which I genuinely appreciate. I get bored very easily, especially with music that has no spark or change throughout it. This is never a problem with one of Erik’s albums.

“Ghost of Storyville” adds a little spice of jazz injections that is just enough to push it over the edge into a “worldly” sound. I do believe that taking any other instrument than the guitar or the keyboards as the lead instrument can be risqué at best. You had better be a complete master with whatever instrument you plan on introducing as the lead. There is no issue for Erik as the lead with his music. There is just enough ambiance and textures added with other instruments that allow him to keep bass in the forefront of the music. Not only that, he demands your attention and his sound is distinctly his own. This is where audiophiles and other musicians separate the men from the boys. 

I found “The Invisible Wand” storybook enchanting. The addition of the female vocals keeping time and a rhythm made it that much more special. If the voice is right for the music it then becomes another instrument. In this instance, it most certainly applied.

I always have to give a nod to the artwork on the album. The cover is self-explanatory. The satin-like red cloth is “A Trick of the Wind.” Notice the way it looks like a ghost behind the text with Erik’s name and the title of the album? I got what it was saying quite quickly and my eyes were attracted to the cover immediately. That is a good thing, so good job with that part of the presentation Erik!

“Born Dreaming,” which is a great title in any case, is a fantastic representation of the music that Erik does the best. It is flowing, bright, attention-getting, and the beauty just abounds from start to finish. If I had to pick one song that says Erik loud and clear it is this one.

Every track is a slice of the artist and for me, it was like saying hello again to an old friend. Two years is too long to wait for your phenomenal music Erik! You bring all listeners a sense of spirit, strength and hope with your sounds. You may see another album of the year from ZMR with this one.

Keith “MuzikMan” Hannaleck
July 4, 2018

Founder of:

Review Provided By New Age Music Reviews


Tracks:
1. Wings
2. The Wind Sings A Strange Song
3. The Ghost of Storyville
4. A Trick of the Wind
5. Solooka
6. Wing and a Prayer
7. The Invisible Wand
8. Born Dreaming
9. A Child Remains

 

New Age Instrumental/Contemporary/Jazz Review:Deborah Offenhauser-Soundscapes

Release Date: October 2, 2017
Label: Independent

Soundscapes is Deborah Offenhauser’s eighth proper album. I was duly impressed regarding her solid resume. Deborah has a history as a musician back to when she first started taking lessons at 5 years old. She has been a teacher along the way as well, and a highly sought after and respected one. Her music has appeared in movies and several hit TV shows. She also plays the classical organ, mandolin, 5-string banjo, guitar, and violin. She is a totally accomplished musician and brings a lot to the world of music and media.

After listening to Soundscapes, I can understand why her music is so brilliant. The title is perfect for the music she presents in 13 tracks. For my ears, diversity is the main reason I would give kudos to any recording, particularly when it is all well done. In this case that applies to this very vibrant and diverse recording. The many Soundscapes you will touch upon include mixtures of jazz, new age, contemporary classical and world. To put it in proper terms, there are not too many areas the artist does not touch upon for this marvelous instrumental presentation.

“Irrational Exuberance” starts off with the sound of a horse running by and it ends the same way. This is all part of the music that Deborah presents. The sounds of life, people, nature, atmospheres and every day sounds that lead to her music and honestly, mix in equally well. You will hear water babbling and birds chirping. This is all works within each track and makes it more realistic and personal for a listener. It creates a feeling, mood and or atmosphere that makes you feel you are right there, taking part of all the interactions within the music.

“Tanz" is a worldly track that introduces a blend of sounds you would hear in the far east. Again, the music transports you to the place you see in your mind's eye. It is powerful enough to make you realize where you are. Many possibilities can arise for anyone with an imagination. If you have been fortunate enough to be a world traveler the music becomes even more lifelike and relatable. It is an instant kind of recognition you can experience if you have journeyed outside the U.S. I can personally attest to that as I have been in many countries and experienced the sounds, smells, and atmospheres, all unique to that particular place on the globe. 

Those are just two examples of what is available in this fine recording. You get one track after another with beauty, textures, colors, and ambiance. They are all different standalone tracks that are ready to become your own private soundtrack.

Deborah Offenshauser has magic at her fingertips and what she is able to translate through her music is a god given talent. Where do you want to go today? Just put the Soundscapes CD, sit back, and take a trip courtesy of the artist. There are no long lines, wait times or cancellations, and the price is right!

4.5/5 Stars

Keith “MuzikMan” Hannaleck
February 13, 2018
Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. Decidedly Joyful
02. Free Radical
03. Nothing Can Touch You Now
04. Irrational Exuberance
05. Tanz
06. Spacial Palace
07. Through a Glass Darkly
08. Rosemont Theme
09. Air
10. The Gloaming
11. It is Written
12. Tanninim
13. The Wonderful Unfoldment of Blue

 

Contemporary/New Age/ Instrumental-Jazz Review: Shambhu-Soothe

Release Date: February 1, 2017
Label: Acoustic Shine

Shambhu has a new recording arriving on the first day of 2017 titled Soothe.  For this listener, I think it is a great way to kick off the beginning of another day of life that quickly turns into another in the books.

Soothe most certainly lives up to the title. Shambhu takes parts of jazz, new age and contemporary music and stirs the pot until it is simmering with the most wonderful aroma. He creates a mood of calm that is initiated then sustained throughout the recording.

Soothe features many instruments including electric and acoustic guitars, acoustic primarily, percussion, English horn and soprano sax, keyboards, the incredibly talented Michael Manring on bass and a host of other very talented contributors that make this album everything it could possibly be.

The more I listen to a fully realized recording like this it makes me think that mentioning some key tracks is the wrong road to take. Looking at this album as one continuous thought flow and creative process is the best way to enjoy it. If you are writing a review or just kicking back for a listen, I feel it needs to be processed as such (but as I do most of the time will mention a few “key” tracks).

The acoustic guitar is the focus on Soothe then everything else that joins in just lifts that instrument to new levels and that includes some lovely vocals provided by Kristin Hoffmann.  “Gaia Sweet Divine” is a blend of new age or spiritually oriented music wrapped as a special gift for those who are centered and connected with some higher power other than themselves. If you want to hear something that aligns your soul (or chakras which is one in the same in my world) with the heavens above this track would be it. 

The title track brings the recording to an apex of satisfaction with more positive energy that flows like a river through your ears to your inner being with ease and purpose. The entire recording felt that way to me. 

The jazz elements are very important to the fabric that weaves the cloth of this album together. It is like the quiet storm meets its spiritual brother and they merge and explode into a burst of light and energy and take you away. It is the ideal way to let music consume you and Soothe you.

5/5 Angels for the Holidays and Your New Year!

Key Tracks: Gaia Sweet Divine, Soothe

Tracks: 
1. Knowingness
2. Time Travel   
3. Days Like Falling Stars
4. Devotion Tears
5. Prelude 2   
6. Through New Eyes
7. Gaia Sweet Divine 05:08   
8. Soothe   
9. Walking Through a Dream

 
Keith “MuzikMan” Hannaleck
December 11, 2016
Founder of:

Review Provided By New Age Music Reviews