Contemporary New Age Instrumental-Classical Review: Christopher Boscole-Isle of Shadows

Release Date: July 18, 2022

Label:  ‎Independent

Website

I have not covered a recording by Christopher Boscole since the 2018 release Soul Dreams. The sands of time move faster each year, and your perception changes so much that it almost becomes irrelevant. We live by the ticking away of seconds, minutes, hours, and days. Then that transforms into months, then years. This perception depends on your age and how busy your days are.

 

Amazing how one thought and music can unravel an idea and how it forms and becomes your truth. Music is that powerful and persuasive. So how did Isle of Shadows work its magic when I listened?

 

Classical music holds so much tradition and everlasting beauty. Its importance goes beyond what words can say. So why not do what countless others have and will again, sit at a piano and give the nod to the great composers and compositions? It makes sense and finds validation in each talent and interpretation of those timeless pieces. Respect for the music is imperative. The legacy of the music and composers must be handled very carefully, and above all, you must be an outstanding musician.

 

Starting with the dreamy artwork on the album cover, with the lovely pastels that are pleasant to the eye and senses, is a good start. Rest assured; the painting perfectly matches the relaxing meditative sounds you are about to enjoy. It is identified as new age classical piano, which is an appropriate assessment.

 

Christopher Boscole has answered the call of the greats and played all these tracks with the utmost care and precision. The artist, in this case, has transformed into a different kind of piano player, one that can take the sublime beauty of the title track and create his rendition from a blank canvas. The composition by Selim Palmgren, is significant because the entire recording is named after it. That name does not come up when someone discusses Chopin, Bach, and Debussy. Perhaps that is why the composer, and the track are getting the spotlight. It will bring forth an awareness of the talent of this otherwise unrecognized master.

 

The more I hear recordings like Isle of Shadows, the realization that these compositions' brilliance and musical perfection attain full recognition from my point of view. This happens when an artist takes each track into a solo piano excursion. It is much more meaningful and appreciated by this listener. It makes me wonder why I have not explored classical music on a more profound level. Perhaps after absorbing this superb recording, I will reevaluate my music collection and endeavor to reach out further to explore this music that I found so appealing.

 

After paying tribute to all the masters, the artist closes the curtain with an original saying, "Until We Meet Again." A perfect ending and as close to perfection as one can get on an album.

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

August 31, 2022

Tracks:

01. Romance Sans Paroles in Ab major, Op. 17 No. 3 (3:21) (Arranged by Christopher Boscole)

02. Nocturne in Eb Major, Op. 9 No. 2 (5:11)

03. Sonata No. 8 Op. 13 “Pathetique”II. Adagio Cantabile (4:45)

04. 6 Lyric Pieces, Op. 28 “Isle of Shadows”II. Skuggornas O (5:56)

05. Pavane, Op. 50 (4:32) (Arranged by Christopher Boscole)

06. Préludes, Book I, L. 117: Vii. La fille aux cheveux de lin (3:30) (Arranged by Christopher Boscole)

07. Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”: I. Adagio sostenuto (5:31)

08. Suite No. 3 in D Major: II. Air (4:44) (Arranged by Christopher Boscole)

09. 24 Preludes, Op. 28: No 17 in A-flat major (4:15)

10. Solace: A Mexican Serenade (5:21)

(Arranged by Christopher Boscole)

11. Kinderszenen, Op. 15: No. 7, Traumerei (2:59)

12. Until We Meet Again (5:41)