New Age - Contemporary Instrumental Review: David Darling-Other Worlds

Release Date: October 18, 2024

Label: Curve Blue

Website 

Music Links

David Darling is joined by virtuosos Jiebing Chen (erhu, zhonghu) and Lili Haydn (violin) as guest performers on Other Worlds. The new album includes the late cellist's signature pizzicato, vocalizations, and solo and choir cellos.

"Amelia" opens the door to this recording and is the second-longest composition at 6:07. The cello is David's doorway to bringing in the other atmospheric instrumentation, including a lovely piano that seems to be stepping carefully down a path led by David. The other subtleties are an enhancement, making this opening a track a relaxing and intimate way to bring the listener in and keep them.

 

"Voyager" begins with light percussion, and the cello sounds magnificent and precise. A synth layer forms the backdrop, and an Erhu adds extra texture and feeling as the cello answers beautifully. The percussion remains light and practical while maintaining a constant, stable beat. The way I hear the cello is like never before; it usually sounds so sad and longing, but not this time. David's bending of the strings is so different in style and tone that it makes you wonder how he created something so different and sophisticated, separating himself from anyone else who played it.

 

The title track, "Other Worlds," comes in at 6:10 but is not the longest. You wonder how all of it will come together with so much time involved in one track and with a cello, never a lead instrument. It starts with more of that longing, faraway sound or feeling, yet succinct and meaningful. It suddenly changes with rhythm by backing the cello that calls out to your heart. Deep bass follows along with a touch of piano arriving into the mix like water dropping off a leaf onto the ground; gentle, but you know it's there, giving it more life and color.

 

"Rendezvous" starts with the cello and piano in an interplay of sound and color. It sounds like it is leading into something soon. The change comes with a more rhythmic approach, giving it immediate substance and a stronger foundation from which to work and branch out, and it does so without hesitation. The cello is in absolution for one instrument within the weaving of sounds found in one track. I hear emotion amplified via the notes as, once again, the piano's gentle accompaniment makes it more sensory and unique for a listener.

 

"The Pilgrimage" is a magnificent oeuvre at 6:50 minutes. It starts very interestingly, with an entirely different tone and resonance from the cello; you must hear it. An excellent guitar is in place; as it goes through its paces and ebbs and flows like a river of sound, you know what you are hearing is something special and begin to understand why nearly seven minutes are needed to complete it. Some wordless vocals join the ever-present percussive intonations to give a tribal hymn feel. The piano is always there to add ambiance and flavor and is more significant in the last few minutes before this complex composition ends.

 

"The Benedictine" sounds as you would imagine, beginning with deeper wordless vocals, i.e., the monks. Of course, that is the first thing that comes to mind when you see the track title. Once again, another completely different turn of the music is chosen. The sound of the cello is so different again; I cannot get over the character and sound that David receives from his instrument. The Erhu is aching and calling to the cello as it sounds more like the plucking of a bass with a pedal. I am speechless at this point.

 

"Lament of the Fallen" takes a more serious (darker) approach to sound, texture, and mood. The power of this music is more evident now from the variety of the previous tracks offered. The piano and violin are not strange bedfellows by any means. The cello tends to add another chapter to the ongoing story with its long lines of reverberating sound and total emotional, atmospheric presence.

 

"The Walk Home" is short and sweet, under two minutes, but meaningful as the cello takes center stage to remind us of its emotional pull and prowess.

 

Other Worlds is another masterpiece that David Darling (who passed in 2021) left behind for us to ponder his incredible talents. I promise you will never hear a cello played like this.

 

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

October 29, 2024

Tracks:

1. Amelia (6:07)

2. Voyager (5:12)

3. Other Worlds (6:10)

4. Rendezvous (5:34)

5. The Pilgrimage (6:50)

6. The Benedictine (4:50)

7. Lament of the Fallen (3:32)

8. The Walk Home (1:56)

Contemporary Instrumental Review & Interview: David Franklin-One Day in Spring

Release Date: June 7, 2024

Label: Independent

Website

When one thinks of spontaneity, several things may come to mind. I start by saying this because David Franklin recorded this album spontaneously in one sitting. That is an incredible achievement. So, One Day in Spring, David sat at his piano and created ten tracks related to one season of nature that gives life back after a cold winter.

 

"Just Before Dawn" starts softly, as one would expect in the quiet of the morning when the first rays of the sun start shining through. It's a serene and peaceful moment, beautifully captured in this track. The notes fall off the keys like morning dew, creating a sense of tranquility and peace.

 

"The Gloaming" takes you to the twilight or dusk of the day. We fast-forward in time, opposite the previous track but just as picturesque and meaningful. The softness of the keys gives you comfort as another day ends and you look forward to a new day, instilling a sense of reassurance and hope that is both comforting and optimistic.

 

"Birds Start Their Songs" takes you back to another day filled with the joyous sounds of our feathered friends. I love birds and their different songs. The keys take you on an intimate exploration of their sounds during the early morning hours and throughout the day. Birds are one of God's miracles, and I appreciate them. David continues the flow of musical expressionism with his delicate touch.

 

"Another Bird in the Garden" continues the story of birds in a different light. The piano remains relaxing and inviting; however, some changes bring a different color and energy this time. If you are a gardener, you hope the birds are eating those pesky insects invading your food as you picture that scene. It is an exquisite tune with an untypical rhythm of the previous tracks.

 

Initially, I thought that "Grieving the Dreamscape" as a track title was a step away from the concept of this album. That thought was put to rest rather quickly as David played the tune as beautifully as all the others. It is slower and, thus, very purposeful to reflect upon the meaning. I am unsure of the meaning, but it means something to the artist, and you will find meaning in it just as you did all the others.

 

"As Light of Mourning Finally Flows" is a play on words. Previously, you were grieving, and now you are mourning. Is this the stage you must go through emotionally to get to the other side? Whatever that may be, there is light, providing a positive direction for one to go. The piano serenades your thoughts, feelings, and emotions as they merge. You listen to those beautiful keys, which take you to the next stage. It's time to leave, and so…

 

"Night Has Left Us All" is the logical next step in the composition process. These compositions follow a thought pattern and a particular flow as the artist moves his fingers to express what is in his soul. There is a sadness overshadowing the night as it departs.

 

"Remembering George Winston" takes a few minutes to pay tribute to one of the greats on the piano. David's appreciation for George Winston's albums, particularly those named after the seasons on Windham Hill, was a significant inspiration for this album. His work was instrumental in shaping David's musical journey, and this track is a short and sweet remembrance of that influence.

 

"Caffeinated and Reconsidering Slime Molds" is quite the title, and it did lose me for meaning. That was unimportant once I started listening, even though he helped me with the rest of the tracks. This is music for those who truly can appreciate the piano as an orchestra in and of itself. David "gets caffeinated" with the music towards the song's end as it picks up considerably. It is a lovely piece and very rhythmic.

 

"Trees and Silence are Living Beings" is a great title and is so true. They are living beings with a vast underground network where they create habits for insects and other creatures and communicate with each other. So, as they may stand there silently, they are busy beneath the earth. This is the curtain closer to the recording and very appropriate. It has color, liveliness, purpose, and meaning as David takes the instrument through the paces to end this musical journey with elegance.

 

David Franklin's One Day in Spring is a beautiful group of compositions that is relaxing, meditative, and often energetic with the waves of chord changes and tones. Like the season it represents, it brings warmth and life to the piano's keys, and new thoughts and hopes to emerge from your consciousness; like the flowers and other plant life sprouting their leaves from the trees and ground, a new season begins. The music will touch you and leave an impression.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 23, 2024

Tracks:

01. Just Before Dawn (3:23)

02. The Gloaming (3:24)

03. Birds Start Their Songs (3:20)

04. Another Bird in the Garden (4:30)

05. Grieving The Dreamscape (4:23)

06. As Light of Mourning Finally Flows (4:34)

07. Night Has Left Us All (2:32)

08. Remembering George Winston (2:51)

09. Caffeinated and Reconsidering Slime Molds (3:30)

10. Trees and Silence are Living Beings (2:34)

Contemporary Instrumental Review: Hans Christian and Thomas Barquee-Meloydia

Release Date: August 1, 2024

Label: Allemande Music

Website

The musical team of Hans Christian and Thomas Barquee have released Meloydia.

 

Hans Christian's versatile skills on the cello, lap steel guitar, Sitara, psaltery, fretless bass, keyboards, and programming, combined with Thomas Barquee's mastery of piano and keyboards, promise a musical journey that is both diverse and expressive with emotion.

 

There is no track under five minutes so that you will get a panoramic and absorbing musical experience. As mentioned in the publicity notes, there's room to breathe in Meloydia, and the music speaks equally well during soft background listening and a focused listening session.

 

"The Gift" begins the recording. The track is very peaceful and precise. The instrumentation is excellent in portraying a gift for a listener, whatever that may be. It is reflective and sweet to engage the soul. The gift is the music itself, as its calming effect sets a tone you may anticipate throughout the rest of the listen. However, that is not the case.

 

"The Promise" is the most extended piece on the album at 8:22. The piano and keys enter the mix, playing off each other, and that pairing is beautiful. The cello comes in nicely to add another soothing layer of instrumentation. The pace picks up at about the halfway point, as the keys lead the way with an orchestration followed by a rhythmic piano. It goes from calming to cinematic with more energy. It circles back to the cello, and the orchestration returns to accentuate the piece. The entire composition sounds perfect for a scene in a movie.

 

"Persistence of Time" follows the energy of the previous track. A more upbeat introduction sets the atmosphere, then quickly changes to a more defined approach. The music moves like a person taking steps towards something with a purpose or how a river may flow before and after a hard rain. And even though there is that variation, its ambiance is quite lovely.

 

"Opalescence" begins with the Sitara, which sounds very Middle Eastern. The bass and percussion add an excellent rhythmic sense to the piece. It all sounds very world-new age and cinematic at the same time. It summons images of a faraway land, like a vast desert of silence in a never-before-visited territory. It creates a sense of wonder and the unknown.

 

"Your Heart Remains," based on the title, could make you feel that it would be a very reflective composition. It begins as such and then changes a bit with more colorful instrumentation added to get your attention and focus so you can hear what may happen next. The lap steel makes its presence known, adding a flavor you had not experienced up to this point. The longing you feel with that sound, a country bluesy effect, pulls at your heartstrings as the artists intended.

 

"That One Thing" starts with the piano leading off, and the cello comes along to create a layer that cries out like the cello always does. Once again, the lap steel gives the piece a feeling far off the horizon. As the cello cries out, the lap steel answers with sadness. The track picks up the pace as an acoustic guitar starts strumming, like a horse galloping to keep up. I like the lap steel addition even more in this track as it is more poignant. As the track gets about three-quarters of the way through, the cello returns and all the other instruments intermingle for a combined sound, which makes it one of the highlights of the listen so far. Excellent!

 

As the title indicates, "Do We Remember" would need to be more cerebral. A combination of instruments joins in with some orchestrations from programming that add another layer of atmosphere. Once again, the Sitara gives the composition more color and flavor because it stands out with its unique tone and is placed well in the piece. I enjoyed this music's shifting sounds and paces, which kept my interest going from beginning to end.

 

"An Echo's Soul" is a title that sounds profound and meaningful. It comes in at precisely five minutes to close out the recording. The subdued mood and color give you time to focus on the sounds and frequencies, so it would be apparent to hear your soul echo feelings and translate them into something lucid. It will be meaningful for those who can use music to relax totally or meditate. Either way, it is very effective as the bass and keys are beautiful and soft, like a billowing cloud passing by on a clear blue sky. It takes you away and removes you from one train of thought to another.

 

This recording is called Meloydia for a reason, and once you listen, you will understand why.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 20, 2024

Tracks:

1. The Gift (7:45) 

2. The Promise (8:22) 

3. Persistence of Time (6:13)

4. Opalescence (6:15) 

5. Your Heart Remains (5:20) 

6. That One Thing (6:40)

7. Do We Remember (5:43) 

8. An Echo’s Soul (5:00

Contemporary Instrumental Review & Interview: Ed Bazel-The London Sessions New Perspectives from Studio 2

Release Date: March 18, 2024

Label: ‎ DiscMakers

Website

Interview Link

Nearly two years ago (October 2022), Ed Bazel released The London Sessions-Reflections From Studio 2. Which I had the opportunity to enjoy and review. Ed returned in March this year with The London Sessions New Perspectives from Studio 2 at Abbey Road. It features nine original tracks and two covers.

 

“Daybreak” is a beautiful opening track. It imagines a clear, crisp morning with the sun rising over a mountain peak. The piano is melodic and soothing, instantly letting the visions come to you.

 

As we all travel “Onward” in our lives, there are many things for which we can be grateful. One thing is musicians like Ed Bazel. The melody progresses as the track carries you to your next door to open or a pathway to follow—3:11 minutes of musical perfection.

 

“All Of My Life” immediately suggests something more poignant yet infinite. Our lives are meaningful in many ways, and Ed expresses them on the track. I did feel some sadness and reflection in the track as it gave me time to pause and look back at my life. The beauty flows and continues from one track to another.

 

“The Long And Winding Road” was instantly recognizable to any Beatles fan or music lover, for that matter. It is done well with a violin singing along with the piano. The words are going through my mind as I listen. Like many people, I know the words to nearly every Beatles song. It just happens that way if you have been listening to them since you were five years old!

 

“A Joyful Life” is a perfect follow-up to a Beatles cover because of the feeling one gets listening to their music (for those who cannot relate, start listening to them, and you will understand). In just under three minutes, the piano does sound happy and positive, so the message is well received. It is simple, direct, and brief enough to enjoy and get the associated feelings of joy.

 

“A Beautiful Life” follows the same lines as its predecessor. Being joyful can be beautiful. Ed’s talent for the keys interprets the meaning of the titles very well. It runs a bit longer at 4:36; however, the violin adds the necessary ambiance that the piano seems to integrate into the piece seamlessly.

 

“Happy Go Lightly” maintains the atmosphere and good feelings of the two previous tracks. The melody is upbeat and seemingly smiling at you through the chord progressions. Feeling that way with a song is something magical and powerful that one solo piano can create.

 

“Blue Skies” is another track placed perfectly in sequence with the others before it. I recognize that meaning and purpose are significant in a recording like this. Once again, you get a gorgeous, uplifting melody that puts a smile on your heart and soul. Ed’s playing is fluid and perfect.

 

“A Rainy Day” changes the mood, as all music has the power to do. In every life, rain comes, but another sunny day with blue skies is around the corner, as you witnessed in three consecutive tracks. It is not a letdown but a reality check that life happens, and we move on. The mood is somber yet beautiful because of the exquisite piano playing. Your hope becomes a reality like the silver lining in a dark cloud.

 

“Beautiful Tonight” brings the beauty and spirit of these compositions back to the forefront of your consciousness. The track is one the most beautiful (they all are), and the soothing melodies on the recording are so clear and defined that they project all the emotions implied in the title.

 

“Imagine” is one of John Lennon’s most prolific songs ever recorded. Ed did a great job of making it all real again without the words, but if you are familiar with the song, the words will come quickly. The track was such a prolific statement that it still holds today and must be believable for all humanity. We need it now more than ever. Thank you, Ed, for bringing this great song back into our awareness, and hopefully, this will become a reality. And the world will live as one…

 

The London Sessions New Perspectives from Studio 2 is a complete triumph for everyone involved. The music is gorgeous, and the musicianship and production are superb. If you enjoy instrumental piano music, this is one performance you should not miss!

Keith “MuzikMan” Hannaleck-NAMR Founder

July 5, 2024

Tracks:

01. Daybreak 02:38

02. Onward 02:09

03. All Of My Life 03:11

04. The Long And Winding Road 03:17

05. A Joyful Life 02:57

06. A Beautiful Life 04:36

07. Happy Go Lightly 02:11

08. Blue Skies 02:47

09. A Rainy Day 03:55

10. Beautiful Tonight 03:05

11. Imagine 04:21

Featured Track: Contemporary Instrumental -Terry Lee Nichols-Finding Annie

Terry Lee Nichols is known for his contributions to the new age and contemporary instrumental world. The latest track released is “Finding Annie.”

The track is a beautiful contemporary instrumental with its roots in classical music. Terry's piano playing reflects that in the most eloquent way.

If you note on the cover in smaller text, it reads, “Love is coming in 2024.” It is a precursor to a full-length project available after we usher in the new year.

If “Finding Annie” indicates what is to come, then instrumental music enthusiasts will have something to look forward to. I know I will, and I always enjoy the music that Terry releases. His excellence and years of experience always set high expectations of what will come next.

Keith “MuzikMan” Hannaleck-NAMR Founder

November 9, 2023

You sometimes read the phrase "he/she was born to it" when describing how a person came by their particular calling. Such is the case with Terry Lee Nichols. By the time he was four, he had already decided that composing and performing music was his true life's goal (discovered while playing popular tunes on his grandmother's piano) …READ MORE…

 

 

Contemporary Instrumental Review: David J. Pena-Zero Gravity

Release Date: October 6, 2023

Label: ‎ Independent

Website

David J. Pena is one of the more productive piano artists, releasing music regularly and adding to the growing archive. I cannot imagine how it must feel to create music that will leave a legacy for lifetimes. What a blessing.

Zero Gravity is due on October 6th. 

 

The first track and title, “Zero Gravity,” put the vastness of the universe into the eyes of the astronaut floating above Earth. The piano playing and orchestration are heavenly, and it has a floating light-than-air feel, setting the perfect tone to make it as accurate as possible. It was an excellent way to start the recording. I like it when an artist chooses the title track to lead off; it makes sense.

 

Everyone has dreams. It is up to every individual to seek those things they desire. Sitting around waiting for something to happen never served anyone well. The piano playing is beautiful and engaging while orchestrations reach a peak; David knows how to create the peaks and valleys of our emotions where “Dreams We Shared” are born and sometimes dashed or forgotten. The rule of karma is you get back what you put into life, good, bad, or indifferent. 

 

This is the “Hour Glass” of life we all must come to terms with. We are going from the top in little grains of sand to the bottom, where our presence here in the physical form ends. The finality of that can be daunting, not knowing what happens until you get there. I think we have some ideas based on stories of people dying and then coming back. Is it different for everyone based on what they did while they were here? Will be “Forgiven” for any wrongs and enter the next life seamlessly? I think our consciousness leaves our bodies and enters a collective consciousness known to many as the spirit world or ether at Zero Gravity, where our friends and family have left and are “Awaiting Your Return.” You can only “Daydream” until you arrive.

 

“Will You Dance” are steps created by the keys of a piano, subtly and elegantly, as only David can present it. As with the previous tracks, the finishing touches are the orchestrations accompanying him. Is this the dance of life, or a serenade from one to another sending an invitation to join in their dance? It is the dance the listener hears and sees forming in their mind as the song plays through. It is warm, and it touched my heart.

 

“Renewed” or renewal is a significant word in English. Does the music you hear energize you, or does it cause time to reflect or to come up with an answer to a question that can only be solved by looking within? Beautiful piano-based music with moving orchestrations can initiate many things for a listener. In the end, will you feel renewed in some way? I would answer that with a resounding yes, but that is for me; what will it be for you? Listen and find out.

 

“Childhood Memories” are so sweet and unforgettable. I felt sadness while listening to this track. Life is so fleeting, and although my childhood was long ago, I will always hold certain aspects dear to my heart. That is why I will never let go of those times and feelings. We cannot make the past come back, but we can relive parts of it, the stories that never grow old and stored in our hearts and minds. This piece was so moving for me; it did bring a tear to my eye. I, at times, long for the simple life I once had. It served as a gentle reminder of the importance of things in the past.

 

Those are some of my favorite tracks. Of course, there is more to be listened to and explored. And it would be best to let go of the day and all the thoughts running through your mind; finding that way is through music like David Pena can offer you Zero Gravity.

Keith “MuzikMan” Hannaleck-NAMR Founder

September 11, 2023

Tracks: 

01. Zero Gravity 

02. Hour Glass 

03. Dreams We Shared 

04. Will You Dance 

05. Renewed 06. 

Childhood Memories 

07. Forgiven 

08. Jeannette 

09. Daydream 

10. Awaiting Your Return

Contemporary Instrumental Review: Ann Sweeten-Love Walks Through Rain

Release Date:  June 11, 2023

Label: ‎ Orange Band Records

Website

Ann Sweeten has an extensive discography to share with music lovers. Love Walks Through Rain has assured a place amongst one of her favorite recordings. She shares her music on a magnificent Steinway piano with exceptional grace and precision. Ann returned to Will Ackerman’s Imaginary Road Studios to record her ninth proper album—as would be expected, the recording production values are beyond reproach.

The title would imply that true love can withstand life when rain comes our way. When we are in a storm, the one person we know that can be counted on is the one we love or, if we are fortunate, all those we love. In Ann’s life, she has conquered cancer twice and is currently battling leukemia. That says much about her resiliency and ability to let love help her walk through the rain. Her music is beautifully composed and performed with flawless melodies.

In addition, the timeless beauty that her piano gives a listener with each track, there are brilliant guest appearances included such as Charlie Bisharat (Violin), Eugene Friesen (Cello), Nancy Rumbel (English Horn), Premik Russell-Tubbs (EWI, Soprano Saxophone), Will Ackerman (Guitar) and Tom Eaton (Bass).

Her soul's emotional depth and impact in the music is felt strongly. Take “The Winter’s Circle,” for instance; her piano calls out to you like it is singing with the angels from heaven. The additional instruments, such as the violin and cello, are the perfect companions to emphasize the delicate touch of her fingers on the piano's keys. It is an ode to strong faith and unyielding spirituality that the artist feels and how it is transformed and envisioned for the listener to receive. The impact is unquestionable.

You will notice some changes in the mood and pace with a track like “Red – Requiem for an Old Friend.”  There is some melancholy with a requiem; however, you can also hear the triumph and hope in the song. The track runs for 5:58, which is the longest on the album, thus giving it space for several changes in pace and depth. I did appreciate the different feelings I went through, and that was the point of the track. One goes through several emotions when losing a loved one or friend, so the natural flow of the music and its changes was like an emotional mirror for the creator and could serve in the same way for anyone. The power of great music and piano-based instrumentals like those presented on Love Walks Through Rain will show you how that works so well.

Every track on Love Walks Through Rain will allow the listener to use it for healing, grieving, happiness, and sadness. The range of the human condition is far-reaching, and everyone should stop and listen to any instrumental music that can touch upon all that complexity.

Ann Sweeten has created another masterwork of piano instrumentals that will leave an indelible mark on you. You will be compelled to listen to it more than once; I can guarantee you that. With everything to gain and nothing to lose now, why wouldn’t you listen to Love Walks Through Rain?

I cannot tell anyone what they feel or how the music will be interpreted. I can promise that the pure emotion of Ann Sweeten’s instrumentals will touch you somehow. I know how it affects me, and I do my best to describe that in my own words. I hope that each listener will find peace and healing in this music. I most certainly did.

Keith “MuzikMan” Hannaleck- NAMR Founder

September 26, 2023

Tracks:

01. Valley Greene 4:22

02. Glimmer 5:21

03. Seirios 4:08

04. The Winter’s Circle 5:33

05. Love Walks Through Rain 4:54

06. Red – Requiem for an Old Friend 5:58

07. The Hills of Riversong 5:32

08. The Shadow of You 4:38

09. Through Jasmine’s Eyes 5:12

10. Out of the Fog 4:42

11. Valley Greene Orchestral Reprise 4:26

Contemporary Instrumental Review: Lynn Tredeau-Many Branches

Release Date: October 6, 2023

Label: ‎ Independent

Website

Lynn Tredeau's latest release, Many Branches, serves as a reflection of herself through the music. It is her ninth proper studio album.

If you happen to be looking for "Sunshine Tomorrow," you will likely find the orchestration of the keys on Lynn's piano. That track is one of twelve that will set you at ease and let the day slip away into the night.

 

For some of us, it isn't easy to clear our minds, put the day behind us, and find complete enjoyment after punching the clock. Because we can be so busy with work, we may have trouble falling asleep and staying asleep to get needed rest. What is there to turn to find that release point and re-energize?

 

As you get into a comfortable space in your home and position yourself for optimal relaxation, the music encourages you to do what you need to absorb it fully. An artist's stream of consciousness is entirely different from everyday folks. As they follow their hearts and spirits, the music is created and performed, and then, after many months in the recording studio, comes the addition of other instruments; however, in this case, that was unnecessary. It is Lynn and her piano alone. Then, the final mastering. A process I cannot comprehend. I do appreciate what each artist goes through to bring such grace and beauty. Lynn has done that consistently over the years.

 

I did notice a particular atmosphere running through each track. Every track has a purposeful pace and mood. I heard a sadness that was hard to define (it was a mirror of my soul at the time). The tracks sound like love songs to me, but they come filled with color and ambiance that radiate hope, which, in the end, removes that feeling of sadness I felt while listening. While all that was true, I felt everything I heard was beautiful.

 

The one thing a listener needs to remember is that music is perceived differently by everyone. Also, their current life situation might feel like a "Carousel" of emotions and as if something emerged from the "Shadows." Still, there is always "Morning's Promise" right around the corner when the sun rises again.

 

When "Technicolor Blanket" started, I noticed an immediate change in the energy of the music and how my senses perceived it. The track has a more upbeat pace and shade to it. It's like a smile that begins on the inside and then shows on the outside. 

 

The best way to express my feelings regarding this music was to use the track titles interspersed with words and emotions. And, after all, isn't that what this is all about? Music is emotion in its absolute and honest form. If you listen closely enough, you feel the heart and soul of the artist in every note. And that my music-loving friends are our gifts to treasure.

 

Stop and listen to the Many Branches on Lynn Tredeau's music tree. It will take root and grow as soon as you start listening.

Keith “MuzikMan” Hannaleck-NAMR Founder

September 19, 2023

Tracks:

01. Room with a View 2:51

02. Sunshine Tomorrow 2:52

03. On a Distant Hill 3:38

04. Sail Away 3:10

05. Moon Jellies 2:59

06. Desert Rain 4:25

07. Envisaging 3:47

08 .Ilunabarra 2:46

09. Carousel 3:14

10. Shadows 2:57

11. Technicolor Blanket 3:06

12. Morning's Promise 4:19

Contemporary Instrumental Review: Doug Hammer-Swim To America Vol. 1 (une rétrospective Stephan Eicher au piano)

Release Date: April 28, 2023

Label: ‎ Independent

Website

When a musician becomes a fan of another musician's music, things can happen in extraordinary ways. In matters of life circumstances, social media, and a combination thereof, Doug Hammer became acquainted with Stephan Eicher. 

Swim To America Vol. 1 (une rétrospective Stephan Eicher au piano) is the first of three volumes of music Doug plans on releasing this year, covering tracks from the Eicher catalog. It is the 16th release for Doug.

 

Doug's interpretation of the Eicher compositions encompasses the thirteen tracks of this large-scale project for volume one. Covering one's tunes would be the easier route. However, the artistry and musical intelligence of Mr. Hammer takes the road less traveled. The level of difficulty covering someone's music your way takes tremendous patience and creativity. Taking each piece as an inspiration and springboard to jump off, the process begins with respect and love for the music you are paying tribute to.

 

That fact becomes evident from the first track to the last of this release. Remember that this is only the piano, nothing else supporting Doug. There are 13 tracks of purely instrumental music falling squarely into contemporary instrumental, influenced strongly by the classical and new age. Then again, classical music has been here on this earth for so long that it only makes sense that everyone is influenced by it in some manner, musically speaking in general terms.

 

However, because many tracks hold such beauty and a relaxing ambiance, I must give new-age music much credit as a vital underpinning, reflecting the artist's original intent. It is a show of respect and joy for the music. And it celebrates both artists at the same time.

 

That is a beautiful thing to witness and hear. It also creates some curiosity for listeners to seek out the background and music of the celebrated artist Stephan Eicher more in-depth. The length of the tracks is just right, not too long nor too short. Doug Hammer uses all his tools to create beautiful music from an admired composer and makes it his own. That is a more remarkable tribute than just covering the compositions. He breathes new life into the music following his intuition and heart, and it works out beautifully. One creation blossoms into another, and that is how it should work. 

Keith “MuzikMan” Hannaleck-NAMR Founder

May 12, 2023

Tracks:

01. Ce peu d’amour 4:00

02. Cendrillon après minuit 4:15

03. Déjeuner en paix 3:26

04. Für Immer 3:43

05. 1000 Vies 3:18

06. Je te mentirais disant 3:30

07. Manteau de gloire 4:30

08. Swim to America 3:21

09. Autour de ton cou 3:13

10. Si tu veux (Que je chante) 2:54

11. Djian's Waltz 3:20

12. Prisonnière 2:43

13. Nocturne 3:17

Contemporary Instrumental Review: Terry Lee Nichols-Metamorphosis

 Release Date: May 8, 2023

Label: ‎Independent

Website

Terry Lee Nichols has released a significant piano-based instrumental recording.  Metamorphosis takes the listener on a worldly adventure. It is a story about humans and their history, including migration and beginnings. To be more specific, he traced his ancestors, which makes for an exciting recording. There is more to it than that, but that is the general idea.

When you listen to the music on Terry's site, you can click on the note beside the first track, and it will automatically tell the story of each composition with artwork to accompany it. For instance, the joy in "Grandma's Good Ol' Homemade Buttermilk Biscuits" is an upbeat, happy tune.

 

As one would anticipate, the pace and color within each composition mirror the track titles. The music is contemporary instrumental with strong influences of classical and all its ebbs and tides. The combination is stunning.

 

"Once Upon a Time" has a picture of a hand reaching down in a wheat field, and to the right is inscribed "If I know what love is, it is because of you." - Hermann Hesse. It is a delicate track, as soft as the woman's hand in the picture. 

 

You will enjoy a multimedia presentation; everything fits together. Music, art, and video are the perfect combination. However, a talented artist must make this something new and fresh as it is commonplace. Terry Lee accomplishes that quite successfully. 

 

I also appreciated how touching some images were on "Bedtime Stories." The music is perfect while taking the explanation of Dad, an otherwise ordinary man, and turning him into a hero, storyteller, and singer of songs. It makes you remember those precious moments of child-rearing and those you may be fortunate enough to enjoy right now.

Terry Lee's piano is gorgeous, fluid, and very telling of each storyline. The pictures will give a little nudge in figuring out why the music flows. The piano playing is very intent on emotionally moving you; it certainly did me. And you can tell the artist was in this heart and soul; you can feel it with every touch of the keys. And that my music-loving friends are what I would describe as prolific. 

 

While I gave you a glimpse into what to expect, I will leave the rest to each listener. It is essential to let you, the potential listener, find the gifts in each offering. This music has happiness, pure joy, and sadness, which is how it should be. It makes you pause and reflect on the meaning for you.

 

Terry Lee does go through a Metamorphosis inside the music, and I believe you can as well if you decide to follow along on his website here https://www.terryleenichols.com/metamorphosis.

Keith “MuzikMan” Hannaleck-NAMR Founder

April 25, 2023

Tracks:

01. Metamorphosis 04:16

02. Out of Eden 03:03

03. Let Us Rest Beside the Cool Waters 03:08

04. Grandma's Good Ol' Homemade Buttermilk Biscuits 02:06

05. A Day in the Life of a Cocktail Pianist 03:11

06. Once Upon a Time 04:42

07. Bedtime Stories 03:50

08. This Was Once a Love Poem 01:17

09. The Dangling Conversation 02:20

10. Barcelona 05:09

11. Mom, which picture will you use for me? 03:45

12. Thinking Back 03:59

13. One Molecule Away from Madness 02:45

14. The Long Goodbye 5:17