Showing posts with label Artist Interviews. Show all posts
Showing posts with label Artist Interviews. Show all posts

Instrumental New Age Review: Peter Sterling-Heaven Sent

Release Date: November 29, 2024

Label: Harp Magic

Website


Peter Sterling has consistently released music for years, and I have been the fortunate recipient of many of his works. I have enjoyed his heavenly sounds five times over the years, and Heaven Sent will be his 17th proper studio release.

 

The message of this recording is evident from the first look at the cover art. This music is spiritual, healing, and filled with positive energy and light. As I have often said, the harp is the perfect instrument for this message if you seek something to fill your spirit and soul with healing tones, sounds, colors, and frequencies.

 

"Golden Leaves of Fall" begins the journey with Peter's harp and soft, wordless vocal in the background that beckons to you. Remember, there are various violin variations, Tibetan bowls, Cello, piano, Irish Flute, Ocarina, Irish Penny Whistle, Ilium pipes, Native Flute, keyboards, percussion, and Free Note Chimes.  You won't hear all of that in the first track; however, it is a beautiful start, and you get the feeling looking at all the credits and instrumentation that this is new-age world music. It's so intricate that you must listen closely to pick out all the tools to create each track. That is a good thing and something I look forward to.

 

"The River Runs Deep" is the longest stretch of instrumentation at 7:31. As with all the tracks Peter records, they start beautifully with that fantastic harp. The addition of other instruments is always a bonus. This track is exceptional with the way it comes together piece by piece and fits so perfectly as it belongs as part of this transitional composition. All music is transitory somehow; however, in this instance, it is prolific and absolute with pureness and beauty. An acoustic guitar adds to the mix and is played delicately to fit nicely with the ambiance of the harp. The river of music runs deep indeed, and it will enlighten your spirit.

 

"Timeless Heart "is a great title. The meaning is accurate. A pure and faithful heart stays that way. There is no change of timeframe involved. Like this music attached to the track title, the sounds are perfected to hold time in a place; it neither goes backward nor forward and keeps your attention in the moment. Adding the pennywhistle gives it that "off in the distance" feeling, like something that is happening either just changed or going through a change, like the music you hear. It makes you think or become more reflective and aware of the place you are in; you are now mindful.

 

"Silver Lining" can mean many things in one's life or situation. The old saying that every cloud has a silver lining has a positive connotation that can be very helpful in assessing the whole picture of what is going on at the time. The music immediately brings you to that string of thoughts; it guides you there as you listen and focuses on its beauty and what it can be. Like a flower opening in the morning responding to the first warm rays of the sun, its attraction is the delicate petals and a miracle of nature. It is very much like the incredible music you are hearing right now.

 

"Forever My Love" is a tune that resonates with familiarity. It intertwines romanticism with spirituality, for true love is a spiritual bond. With the harp and violin merging to convey sincerity and hints of sadness weaving in, the music evokes a profound sense of eternity. It's a poignant reminder of the seemingly unattainable nature of forever, yet it also kindles a deep connection with the listener, stirring up thoughts and questions.

 

"The Rain Will Fall" is inevitable in the world of plants and Mother Earth and, in a literal sense, our lives. It is time for relaxation and thought. The music's gentle touch pulls you in, suggesting this, giving you the reality and the miracle of nature at work by providing life from rainfall. The essence of all life is water, and to accept that is to become one with the earth that gives us so much life. And in human life and what can happen, a little rain must fall before the sun shines again—an interchange of times encouraged by the title and the music.

 

"Together Forever" returns you to that theme of eternity and how real it can or cannot be. If you believe, it is your truth, and forever is precisely that, whether in the physical or spiritual worlds of existence. The music continues to enchant and give you the reason for hope and belief that forever can exist, and the harp is a tool used to convince you it is possible. Keep playing, Peter; I am starting to believe.

 

"After Glow" happens when a particular person touches your heart and soul, or you are in a surreal and unbelievable experience. After all the previous tracks and titles, much thought and meditation has been given to the word's meanings. The harp can create a certain glow and vibrance yet delicate beauty to bring a picture into your mind's eye, the lens to the soul. The track is very deliberate in its delivery of this message. The wordless vocals give it a heavenly, angelic touch.

 

"Days Of Old" is the second most extended piece at 6:44. The harp begins and sounds like the opening of a large satin curtain as you hear the harmonica make its presence known. You immediately realize that this track will be entirely different than all the others. The track title is indicative of the setting when one reaches back into another place in time in their lives that is held close and dear to their heart. The laughter of children and birds singing is like heaven to parents. It makes life complete. The circle of life is the music by design, and it feels honest and sad simultaneously. Yes, it worked for me.

 

"The Sun Always Shines" on TV—oh wait, another band and another song! I could not help it; it was the first thing that came to mind! As Peter winds things down to bring you back to earth, the flute is as superb as the harp. The music continues and ends where it all started. It is all so exquisitely arranged and played, and this last track confirms the consistency you have witnessed in all the prior tracks. It was a perfect end to a perfect performance by everyone who contributed.

 

Heaven Sent was created for those who need its grace and gentle approach to enrich our lives by listening. And it does.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

November 21, 2024


Tracks:

01. Golden Leaves of Fall 5:14

02. The River Runs Deep 7:31

03. Timeless Heart 4:47

04. Silver Lining 4:01

05. Forever My Love 5:10

06. The Rain Will Fall 5:04

07. Together Forever 4:48

08. After Glow 5:17

09. Days Of Old 6:44

10. The Sun Always Shines 5:30





Contemporary Instrumental Review & Interview: David Franklin-One Day in Spring

Release Date: June 7, 2024

Label: Independent

Website

When one thinks of spontaneity, several things may come to mind. I start by saying this because David Franklin recorded this album spontaneously in one sitting. That is an incredible achievement. So, One Day in Spring, David sat at his piano and created ten tracks related to one season of nature that gives life back after a cold winter.

 

"Just Before Dawn" starts softly, as one would expect in the quiet of the morning when the first rays of the sun start shining through. It's a serene and peaceful moment, beautifully captured in this track. The notes fall off the keys like morning dew, creating a sense of tranquility and peace.

 

"The Gloaming" takes you to the twilight or dusk of the day. We fast-forward in time, opposite the previous track but just as picturesque and meaningful. The softness of the keys gives you comfort as another day ends and you look forward to a new day, instilling a sense of reassurance and hope that is both comforting and optimistic.

 

"Birds Start Their Songs" takes you back to another day filled with the joyous sounds of our feathered friends. I love birds and their different songs. The keys take you on an intimate exploration of their sounds during the early morning hours and throughout the day. Birds are one of God's miracles, and I appreciate them. David continues the flow of musical expressionism with his delicate touch.

 

"Another Bird in the Garden" continues the story of birds in a different light. The piano remains relaxing and inviting; however, some changes bring a different color and energy this time. If you are a gardener, you hope the birds are eating those pesky insects invading your food as you picture that scene. It is an exquisite tune with an untypical rhythm of the previous tracks.

 

Initially, I thought that "Grieving the Dreamscape" as a track title was a step away from the concept of this album. That thought was put to rest rather quickly as David played the tune as beautifully as all the others. It is slower and, thus, very purposeful to reflect upon the meaning. I am unsure of the meaning, but it means something to the artist, and you will find meaning in it just as you did all the others.

 

"As Light of Mourning Finally Flows" is a play on words. Previously, you were grieving, and now you are mourning. Is this the stage you must go through emotionally to get to the other side? Whatever that may be, there is light, providing a positive direction for one to go. The piano serenades your thoughts, feelings, and emotions as they merge. You listen to those beautiful keys, which take you to the next stage. It's time to leave, and so…

 

"Night Has Left Us All" is the logical next step in the composition process. These compositions follow a thought pattern and a particular flow as the artist moves his fingers to express what is in his soul. There is a sadness overshadowing the night as it departs.

 

"Remembering George Winston" takes a few minutes to pay tribute to one of the greats on the piano. David's appreciation for George Winston's albums, particularly those named after the seasons on Windham Hill, was a significant inspiration for this album. His work was instrumental in shaping David's musical journey, and this track is a short and sweet remembrance of that influence.

 

"Caffeinated and Reconsidering Slime Molds" is quite the title, and it did lose me for meaning. That was unimportant once I started listening, even though he helped me with the rest of the tracks. This is music for those who truly can appreciate the piano as an orchestra in and of itself. David "gets caffeinated" with the music towards the song's end as it picks up considerably. It is a lovely piece and very rhythmic.

 

"Trees and Silence are Living Beings" is a great title and is so true. They are living beings with a vast underground network where they create habits for insects and other creatures and communicate with each other. So, as they may stand there silently, they are busy beneath the earth. This is the curtain closer to the recording and very appropriate. It has color, liveliness, purpose, and meaning as David takes the instrument through the paces to end this musical journey with elegance.

 

David Franklin's One Day in Spring is a beautiful group of compositions that is relaxing, meditative, and often energetic with the waves of chord changes and tones. Like the season it represents, it brings warmth and life to the piano's keys, and new thoughts and hopes to emerge from your consciousness; like the flowers and other plant life sprouting their leaves from the trees and ground, a new season begins. The music will touch you and leave an impression.

 

Keith “MuzikMan” Hannaleck-NAMR Founder

July 23, 2024

Tracks:

01. Just Before Dawn (3:23)

02. The Gloaming (3:24)

03. Birds Start Their Songs (3:20)

04. Another Bird in the Garden (4:30)

05. Grieving The Dreamscape (4:23)

06. As Light of Mourning Finally Flows (4:34)

07. Night Has Left Us All (2:32)

08. Remembering George Winston (2:51)

09. Caffeinated and Reconsidering Slime Molds (3:30)

10. Trees and Silence are Living Beings (2:34)


Instrumental Ambient Electronic Review and Interview: Hollan Holmes-Sacred Places

Release Date: January 12, 2023

Label: Spotted Peccary Music

Website

Sacred Places, the third release by Hollan Holmes on Spotted Peccary Music, encompasses eleven geographic

illustrations, each inspired by Holmes's travels to different locales of deep personal significance. It should be an exciting journey with that kind of inspiration behind the music.

 

Using variable hardware and software, Hollan creates the soundscapes in his mind and then moves them to music.

 

"Order Out Of Chaos" starts this incredible journey of sound. Right from the start, the track builds into crescendos of electronic grace and power. I found that combination colorful and refreshing. Its pure energy, set to musical emotion and movements, engaged me from start to finish.

 

"Temples Of Stone" conjures many images before the music starts: the pyramids, Stonehenge, Machu Pichu, all of that comes to mind, and the absolute wonder and possibilities of it so many thousands of years ago. The music starts, and those images become more apparent as the music enhances your sensory perception. The music is anticipatory, imaginative, and filled with the power of the past. The layers of sound merge to transport you, and as you near the end, the sounds mellow and start to fade away like you are in a dream state.

 

"Bristlecone" is ambient and delightfully airy and light. Picture a perfect white cloud moving slowly across the sky, and you are lying on it along for the ride. As the sounds increase in intensity, so does your ride as you pass over mountain ranges, bodies of water, and lush fields of grass and vegetation. It is music to create your own story with, and you go with whatever comes to mind first and get lost in the music. Beauty and elegance are all wrapped up nicely in one track.

 

"Drawn To An Intangible Energy" is thought-provoking as you listen. Are you drawn to what the music and energy of the sounds created? Is it intangible, as the title suggests? Only you, the listener, can decide what is doing for you or where it just took you. The energy that is intangible to me is something esoteric or spiritual; you hear it, recognize it, acknowledge it, yet where does it come from? The music is so engaging that you cannot help but think about being prompted by the track's title and exploring your thoughts. Music with so many layers and colors splattered on the canvas of your mind serves a purpose.

 

All of those tracks are examples of the imagery and consciousness music can create for a listener willing to hear everything happening in the music. When you are on the fifth track, you wonder what will be different; you will find it is quite a change from the previous track. And this happens consistently throughout. Those first four tracks hit home for me and implanted me into the experience so that I could enjoy the following tracks. The initial impact is significant when listening to a recording, and to have to continue in such a profound way with four consecutive tracks is impressive.

 

Some folks find instrumental music for use with the background or just daydreaming. The opposite is true for recordings like this; they engage my brain and thought process. For my listening pleasure, this is prolific and meaningful. It excites and ignites my senses and has me thinking of what the track titles mean and what the artist is trying to project to me. In a sense, the artist's story becomes my own, which is an attractive transformation as far as I am concerned.

 

It would be easy to make an album with very similar formats and sounds with this genre of electronic and ambient styles and lose a listener rather quickly. That never happened on the eleven tracks offered on Sacred Places. As it turns out, they are as varied as all the places the artist visited, which was the stimulus for this recording.

 

Fans of Kraftwerk and Tangerine Dream, etc.- yes, that is me- will love this recording. It is intimate, beautiful, diverse, and, most of all, so creative and ambitious. Sacred Places will be a regular listening experience for people who appreciate this music. On the other hand, for those who love it, you will be very pleased.

 

Hollan Holmes has created an electronic ambient classic with Sacred Places.

Keith “MuzikMan” Hannaleck-NAMR Founder

January 25, 2024


Tracks:

01. Order Out Of Chaos 6:06

02. Temples Of Stone 7:20

03. Bristlecone 5:19

04. Drawn To An Intangible Energy 6:37

05. An Elevated Life 5:53

06. Hallowed Ground 5:02

07. Walking Among Kings 7:11

08. The Divine Connection 6:39

09. Primal Instinct 7:56

10. A Light Unto The World 7:10

11. Sacred Places 6:06




Jon Anderson Interview With The Final On Vinyl Podcast


Listen To My Interview With Jon Anderson As We Discuss His Incredible Solo Album 1000 Hands-Chapter One. It was quite an honor for me to interview the legendary vocalist/musician Jon Anderson of Yes fame and incredible solo work. Thank you kind sir for all of your time!