Contemporary Instrumental-Relaxation/Meditation Review and Interview: Raphael Groten-Inner Sanctum

Release Date: April 1, 2025

Label: Hummingbird

Website

Inner Sanctum, Raphael Groten’s seventh proper release, is a unique and intriguing addition to his discography. Having followed his musical journey for five previous releases since 2016, I've witnessed his impressive accomplishments and the evolution of his guitar skills. His ability to create albums in just a few days is a testament to his creative prowess and innate talents.

Raphael’s music defies simple categorization. While it can be described as new-age instrumental or acoustic instrumental, these labels are secondary to its profound impact on a listener. Let me delve into this further.

 

The goal of this music is to provide a respite from the constant barrage of external noise we hear 24/7. In a world where wars are waging, people are constantly at odds, and the media is manipulating it all for their benefit, we all need a break from the madness. Raphael's music is a soothing relief, offering peace and reflection amidst the chaos.

 

His music is primarily acoustic, featuring various textures and enhancements that add depth and character to each track, giving it its own unique identity. On this release, he uses the electric guitar, which is a first-time treat to hear from the artist. Raphael strives for individuality in each track across all his releases. It is spiritual, reflective, and relaxing, renewing the spirit, regardless of whether it is acoustic or electric.

 

I found it interesting how he added the classic legendary song “Amazing Grace.” With his ability to create original compositions, he didn't need to include it, but he did. It is beautiful when played appropriately on either an electric or acoustic guitar. I believe this to be his tribute to the legendary song. It is well done, and now he has a piece of history recorded in his catalog. You also get another listen done differently on track 21. Also noteworthy is the coverage of Leonard Cohen’s extraordinary “Hallelujah.”  

 

I enjoyed the simplicity and resonating tones of “Old Home” on electric guitar. The artist takes things slowly and with resolve, allowing you to focus on the intricacies of every note. For my listening process, this provides a deeper appreciation for the artistry on display through the guitar, whether acoustic or electric. You will hear a lot of that approach and consistency in the songs of these 22 tracks.

 

The strings' gentle touch and clear sound are like an orchestra within themselves, much like the piano with all its capabilities. However, accomplishing that on the guitar is much more difficult. Again, I found much more appreciation for Raphael’s creations and overall ability to maintain the flow of each composition while creating layers of beauty throughout each track.

 

While listening to this extensive compilation, I heard touches of guitar sounds that reminded me of Pink Floyd, like on “Eternities.” Additionally, a few other ambient instrumental artists came to mind, and, as always, Tangerine Dream was a notable mention for me. This seems inevitable because they have been around for a long time and have influenced many recording artists.

 

As “Tidings” followed, it had the same effect on me. That ambient, spacey sound, with the guitar echoing its chords as if calling from the cosmos to speak to you in some way. It is soft, appealing, and beautiful. So, it can talk to a listener quickly without any thoughts going through your mind. That factor is not a prerequisite for thoroughly enjoying it. I usually have a string of thoughts weaving through my mind, endlessly listening to instrumental music such as this. It's not a bad thing either; I find it very relaxing, and stress relief is the main component that helps me reach a state where I can still process thoughts, relax, and take stock of them. It’s a beautiful thing; only music without words has that ability. Its power and light shine brightly if you let it guide you.

 

The interesting thing about Inner Sanctum is that Raphael Groten metaphorically uses the bear cave as a place where he can go and be safe, allowing the processes to flow through him. The power of nature, its organic earthiness, and our spiritual connection can be vast and influential. This recording is the result of that experiential journey.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

April 1, 2025

Tracks:

01. Stillness 3:13

02. Good Medicine (electric) 3:32

03. Inner Sanctum 3:20

04. Drifting 2:52

05. Amazing Grace 3:07

06. All Souls 3:11

07. Old Home (electric) 3:53

08. Blackbird (electric) 3:21

09. Patience 3:30

10. Eternities 4:57

11. Tidings 3:14

12. Eclipse (electric) 2:53

13. Dream Cave 3:10

14. Rest (electric) 2:47

15. Soliloquy 3:20

16. Rise 2:33

17. Meditation (electric) 3:45

18. Blessing 3:36

19. Timeless 2:49

20. Love Is 2:49

21. Amazing Grace (reprise)

22. Hallelujah