Pages

New Age - Contemporary Instrumental Review: David Darling-Other Worlds

Release Date: October 18, 2024

Label: Curve Blue

Website 

Music Links

David Darling is joined by virtuosos Jiebing Chen (erhu, zhonghu) and Lili Haydn (violin) as guest performers on Other Worlds. The new album includes the late cellist's signature pizzicato, vocalizations, and solo and choir cellos.

"Amelia" opens the door to this recording and is the second-longest composition at 6:07. The cello is David's doorway to bringing in the other atmospheric instrumentation, including a lovely piano that seems to be stepping carefully down a path led by David. The other subtleties are an enhancement, making this opening a track a relaxing and intimate way to bring the listener in and keep them.

 

"Voyager" begins with light percussion, and the cello sounds magnificent and precise. A synth layer forms the backdrop, and an Erhu adds extra texture and feeling as the cello answers beautifully. The percussion remains light and practical while maintaining a constant, stable beat. The way I hear the cello is like never before; it usually sounds so sad and longing, but not this time. David's bending of the strings is so different in style and tone that it makes you wonder how he created something so different and sophisticated, separating himself from anyone else who played it.

 

The title track, "Other Worlds," comes in at 6:10 but is not the longest. You wonder how all of it will come together with so much time involved in one track and with a cello, never a lead instrument. It starts with more of that longing, faraway sound or feeling, yet succinct and meaningful. It suddenly changes with rhythm by backing the cello that calls out to your heart. Deep bass follows along with a touch of piano arriving into the mix like water dropping off a leaf onto the ground; gentle, but you know it's there, giving it more life and color.

 

"Rendezvous" starts with the cello and piano in an interplay of sound and color. It sounds like it is leading into something soon. The change comes with a more rhythmic approach, giving it immediate substance and a stronger foundation from which to work and branch out, and it does so without hesitation. The cello is in absolution for one instrument within the weaving of sounds found in one track. I hear emotion amplified via the notes as, once again, the piano's gentle accompaniment makes it more sensory and unique for a listener.

 

"The Pilgrimage" is a magnificent oeuvre at 6:50 minutes. It starts very interestingly, with an entirely different tone and resonance from the cello; you must hear it. An excellent guitar is in place; as it goes through its paces and ebbs and flows like a river of sound, you know what you are hearing is something special and begin to understand why nearly seven minutes are needed to complete it. Some wordless vocals join the ever-present percussive intonations to give a tribal hymn feel. The piano is always there to add ambiance and flavor and is more significant in the last few minutes before this complex composition ends.

 

"The Benedictine" sounds as you would imagine, beginning with deeper wordless vocals, i.e., the monks. Of course, that is the first thing that comes to mind when you see the track title. Once again, another completely different turn of the music is chosen. The sound of the cello is so different again; I cannot get over the character and sound that David receives from his instrument. The Erhu is aching and calling to the cello as it sounds more like the plucking of a bass with a pedal. I am speechless at this point.

 

"Lament of the Fallen" takes a more serious (darker) approach to sound, texture, and mood. The power of this music is more evident now from the variety of the previous tracks offered. The piano and violin are not strange bedfellows by any means. The cello tends to add another chapter to the ongoing story with its long lines of reverberating sound and total emotional, atmospheric presence.

 

"The Walk Home" is short and sweet, under two minutes, but meaningful as the cello takes center stage to remind us of its emotional pull and prowess.

 

Other Worlds is another masterpiece that David Darling (who passed in 2021) left behind for us to ponder his incredible talents. I promise you will never hear a cello played like this.

 

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

October 29, 2024


Tracks:

1. Amelia (6:07)

2. Voyager (5:12)

3. Other Worlds (6:10)

4. Rendezvous (5:34)

5. The Pilgrimage (6:50)

6. The Benedictine (4:50)

7. Lament of the Fallen (3:32)

8. The Walk Home (1:56)


No comments:

Post a Comment